Acute-angled intersections are common in Pittsburgh, and in business districts they produce some odd-shaped buildings. This one in Point Breeze has been tastefully modernized with an eye for what is most distinctive about it. The oriel over the entrance on the corner is especially appealing.
The border between McKees Rocks and Stowe Township is whimsical. It cuts diagonally across the Bottoms, bisecting several buildings, so that this firehouse in the shadow of the McKees Rocks Bridge is actually in Stowe Township. In fact, the hypotenuse of this triangular building is the McKees Rocks border.
The architect, whoever it was, responded to an odd-shaped site with an Art Deco building that emphasizes its own triangularity. Since, as old Pa Pitt has remarked before, firehouses are basically men’s clubs, and men’s clubs always block in their windows, this building has lost several of its ground-floor windows. Otherwise it appears to be in close to original shape. It is still in use as a firehouse; it appears on Google Maps both as “Preston Volunteer Fire Department,” which is marked as a fire station, and “Independent Hose Co #5,” which is marked as a bar.
From Broadway this looks like an ordinary apartment building. But the architect, John A. Long,1 had an interestingly Pittsburghish problem to solve. The building is on a triangular lot with a very sharp angle—but that is only the two-dimensional aspect of the problem. In Beechview, there are always three dimensions.
The third dimension is up.
The building was probably given green tiles on that projecting roofline, since Spanish Mission was a very popular style in Beechview and Dormont. The stonework is picked out in blue since a few years ago, which makes the building look cheerful. That long blue stripe on the ground floor probably marks the top of a storefront that was later converted to an apartment.
Next door was a red-brick building that appears as “I. O. O. M.” on the 1923 map; perhaps it meant “L. O. O. M.,” and this was the original Beechview Moose lodge. The Moose now have their lodge a block down Broadway in a smaller building.
At some time after 1923, the two buildings were connected by a very narrow filler building, which probably made three more rent-paying apartments possible:
The arched doorway, with its abstract-Romanesque receding arches, adds interest to what is otherwise a plain building.
The acute angle of the intersection of Crosman Street with 18th Street on the South Side Slopes creates two odd-shaped lots filled with odd-shaped buildings, both of them irregular pentagons. Above, the one on the south side of Crosman is smashed up against a cliff, with a big billboard for its neighbor: South 18th Street is the old Brownsville Plank Road, and still the main route down from the South Hills neighborhoods to the South Side. Below, the house on the north corner sits at the head of a row of little Pittsburgh rowhouses, each of them altered according to the whims of decades of owners. The corner house is festooned with aluminum awnings; three of the other houses have aluminum awnings over the front doors, and two of them (the last two down the hill) are genuine Kool Vent awnings.
These little rowhouses are a good example of the persistence of tradition in Pittsburgh vernacular architecture. They seem to have been put up in the early 1900s, with 1903 as a terminus post quem according to the Pittsburgh Historic Maps site; but they differ very little from the tiny, narrow rowhouses of the Civil War era.
This building now houses the Wood Street station on the ground floor (and below, of course) and the Wood Street Galleries, a free museum of installation art, on the upper floors. It was put up for the Monongahela National Bank, and the architect was Edward Stotz, who also gave us Schenley High School—another triangular classical building. It makes one wonder whether Mr. Stotz printed “Specialist in Triangles” on his business cards.
The elevator towers at the corners are later additions. They make a mess of the carefully worked out proportions of the building—Father Pitt thinks they make the whole structure look a bit like a fat rabbit—but at least they are done with similar materials.
Camera: Kodak EasyShare Z1485 IS.
