We’ve seen this house before, and here it is from a different angle. It sits on the side of a steep hill, and the best way to take in the front of it is to stand far away—in this case, in the South Side Cemetery.
Father Pitt has not been able to find the architect of this fairy-tale palace, but it is in good shape. It was built for Frank Sholten, a local newsdealer who apparently wanted to expand into the landlording business, in 1928, and a Sun-Telly photographer captured the building still under construction.
The building has a near-twin in West Homestead, and some lucky day Father Pitt or one of his correspondents will find the name of the artist behind both of them. Meanwhile, we can appreciate the details, bathed in golden late-afternoon sun.
Built in 1922, the Parkstone Dwellings are the most astonishing double duplex in Pittsburgh. The architect was Frederick Scheibler, who had come through a period of prophetic modernism into a period of romantic fantasy.
The tenants upstairs are airing out their rugs. No, wait—
In the 1920s and 1930s, designers of houses often made them into fairy-tale cottages, in which every detail was carefully managed to evoke picturesque fantasies of old England or France. But this was also the time when built-in garages were becoming a requirement for suburban homes. If the garage door is on the front, it often spoils the fantasy. But this house in Mission Hills, Mount Lebanon, shows us that there is an alternative: make the garage part of the fantasy.
Not only is the garage entrance a big stone arch that suggests an immemorially ancient cellar under the house, but it is also decorated with the terra-cotta rays that were a fashionable adornment of the fairy-tale style.
Mission Hills is a neighborhood where every house is an individual work of art. It has a special charm in the snow. Here is a short stroll on Orchard Drive, taking in a wide variety of styles.
The front of this house in Mission Hills has changed very little since it was new. It was sold in 1930, probably when it was newly built, and the Sun-Telly printed its picture.
“Mission Hills Home,” Pittsburgh Sun-Telegraph, June 1, 1930, p. 48
Forgive the blurry microfilm reproduction of what was already a photograph reproduced in halftone on cheap newsprint; it is enough to show us that, except for the filled-in side porch, not much is different in front, although the tiny sapling in the newspaper picture is a major tree now. There appears to be an addition in the back, where it does not alter the impression the house makes from the street.
Alexander Sharove is best remembered today for the synagogues he designed, but like most architects he took on a variety of jobs, including this house built in 1937 for Stanley Hohenstein in the less expensive end of Murdoch Farms. Here Sharove juggles an eclectic assortment of styles from Jacobean to Georgian to Moderne.
The arch with rays was a popular motif in the 1930s. Sharove’s version of it uses thin strips of terra cotta for the rays.
A week or so ago we saw a fairy-tale palace by Paul Scheuneman in Cedarhurst Manor. That house is perhaps the grandest in the plan, but some others are not far behind. Several other fine houses went up in the 1930s; they must have been even more like fairy-tale palaces in their first years, since much of Cedarhurst Manor was sparsely settled until after the Second World War, and these houses would have loomed suddenly out of the woods. They are in different styles, but they all share that prioritizing of the picturesque that is the hallmark of what Father Pitt calls the fairy-tale style of the 1920s and 1930s. Above and below, what Pittsburghers call a Normandy, with a turret cozily tucked into its corner.
This house is of more modest dimensions, and it is similar to many other houses that went up in the suburbs during the Depression. (Many of them were designed by Joseph Hoover, a prolific producer of fairy-tale cottages who went full-on Moderne when he turned to commercial projects: he was the architect of the first Pittsburgh International Airport.) Here we see how the fairy-tale style has filtered down to the middle of the middle class: you may be limited in your resources, but you can still have the little cottage of your childhood dreams. Father Pitt suspects the half-timbered gable has been simplified from an original that would have had more timber.
This fairy-tale palace, finished in 1930 or 1931, was designed by Paul Scheuneman, whom old Pa Pitt has already pointed out as a skilled practitioner of what we call the fairy-tale style—see these two houses in Green Tree. This one was featured in the Sun-Telly on Washington’s Birthday in 1931:
Pittsburgh Sun-Telegraph, February 22, 1931. Note how much lighter the stones were when they were new.
“English Design—Caste Brothers, builders, have recently completed this home in Cedarhurst Manor, new residential park on the outskirts of Mt. Lebanon. The architect was Paul R. Scheuneman. Several more homes are being planned.”
Washington Park is one of those 1920s plans in Mount Lebanon that filled up with houses by different architects in different styles, until—like the others—it became a museum of the styles of the era. It’s part of the Mount Lebanon Historic District. This collection is the product of two walks on Vernon Drive, one just yesterday, and one back in May, so don’t be too surprised to see the seasons changing as we stroll.
We begin with an outlier: a Mediterranean villa in a neighborhood where most of the houses range from Georgian to fairy-tale Northern European.
We have dozens more pictures to show you, which we’ll put below the metaphorical fold to keep from weighing down the front page.
