Espy Avenue is perhaps the highest-toned street in Dormont, lined with fine houses by distinguished architects. We’ve seen a bunch of them before; here are four from the other side of the street.
The beautiful birches make it a little hard to photograph the house behind; old Pa Pitt did the best he could.
A giant standing skeleton was very amusing when it was the first one on your block. It tends to stand around forever, because otherwise you have to figure out where to put it.
We’ve seen this double before, with the sun behind it. Here it is again in cloudy weather, when the details may be a little easier to see.
An attractive and well-maintained building that would have been even more attractive when that overhang had green or red tiles. The style seems to hover somewhere between Renaissance and Arts and Crafts.
After the originally tiled overhang and its showy wooden brackets, the most eye-catching feature is the balconies with their bulging iron railings.
Many well-known architects worked in Dormont, as old Pa Pitt knows from leafing through the construction trade journals of the early twentieth century. Unfortunately, those journals are usually maddeningly vague on locations, so it has been hard to identify which house was designed by which architect. But we can appreciate the art even without knowing the name of the artist.
Espy Avenue is a street of particularly fine houses, and the finest block is the one between Potomac Avenue and Lasalle Avenue. Here are a few houses from the northwest side of the street, because the sun happened to be shining on that side when Father Pitt was out walking in Dormont.
Father Pitt will have to come back to Dormont soon when the other side of the street is properly illuminated. But he could not resist taking pictures of this one double house, even with the sun behind it, because it is an exceptional design exceptionally well preserved:
A few bits of wood have been replaced with aluminum, and the brick walls in front of the porch may not be original, but otherwise this grand duplex is probably much as the architect imagined it.
All these pictures were taken to test a Sony camera Father Pitt found in a thrift store for about six dollars. It has a Zeiss lens that seems to live up to its reputation. The resolution is 4 megapixels, but our experiments here at Pa Pitt Labs show that a 4-megapixel picture doubled to 16 megapixels from a camera with a good lens looks better than a 16-megapixel picture from a camera with an indifferent lens.
We have seen this especially fine church before, but since old Pa Pitt was out walking on Potomac Avenue in early-evening light, he decided that we could see it again. It is now the Dormont campus of the nondenominational North Way Christian Community, which fortunately has the money to keep up the exterior.
The parsonage is just the sort of elegant and respectable dwelling you need for your Presbyterian minister. With a broad English Gothic arch at the entrance to link it to the church, it makes a good transition between the monumental church and the prosperous merchant-class houses on Espy Avenue.
Addendum: Father Pitt tentatively attributes the church to Chauncey W. Hodgdon. Mr. Hodgdon was hired to supervise alterations in 1914, and it was considered unethical for another architect to alter or add to a building within a few years of its construction unless the original one refused, or was unavailable, or was rejected by the client.
