Father Pitt

Tag: Domes

  • Rodef Shalom’s Downtown Temple

    Eighth Street Temple, Rodef Shalom
    From The Builder, January, 1906.

    This was the home of the Rodef Shalom congregation for a very short time. It was downtown on Eighth Street, a narrow one-block alley where its site today is a parking lot. In those days, however, Eighth Street was crowded with buildings and institutions, including the Reformed Presbyterian Church, the Christian Home for Working Girls, and the North Public School. Having outgrown their previous building, the Rodef Shalom congregation hired Charles Bickel, probably the most prolific architect Pittsburgh ever had, to design a magnificent temple that told the city its Jewish residents were proud to be part of the social fabric.

    Building the new temple required tearing down the old one, but the people of the Second Presbyterian Church around the corner (not the Reformed Presbyterians next door) opened their doors to their Jewish neighbors, and for a year the two congregations shared the Second Presbyterian building, one worshiping on Saturday and the other on Sunday. A news story at the time tells us that, among the Rodef Shalom congregation, “there were many expressions of good feeling over this neighborly act on the part of the Presbyterian neighbors” when the agreement was announced.

    The new temple opened in 1901. But the congregation was growing so quickly that, by 1904, it was already too small. Rodef Shalom had to find new quarters, with more land to spread out.

    Rodef Shalom today worships in one of the most admired synagogue buildings in America, the magnificent temple on Fifth Avenue designed by Henry Hornbostel.

    Rodef Shalom on Fifth Avenue

    When we look at the two buildings, designed less than a decade apart, it’s striking how different they are in style. Bickel’s design looks old-fashioned; Hornbostel’s looks forward to the future, and it has stood the test of more than a century’s radical changes in taste.

    But a comparison of the two buildings also reveals how much they have in common. Almost all the same design elements are in both buildings (with the prominent exception of the turbaned towers on the Bickel building); it almost looks as though the congregation had told Hornbostel, “We want the same thing we have downtown, but bigger.” (Though it’s not visible in either picture, another feature both buildings share is a large central dome.)

    The Bickel building had several decades of life after Rodef Shalom moved out. The congregation sold it to their good friends at the Second Presbyterian Church, who moved into the relatively new building, and were thus able to sell their valuable corner location at Penn and Seventh, where Katz Plaza is today. For many years, the Second Presbyterians and the Reformed Presbyterians coexisted side by side on Eighth Street. The old Bickel building was still there in 1957, according to aerial photos; by 1967 it was replaced by parking lot, which is what has been there ever since.

  • Mother of Sorrows Church, Norwood

    Mother of Sorrows Church

    Mother of Sorrows Church was sold to a nondenominational congregation some time ago, and when Father Pitt took these pictures some maintenance work was being done, so we hope the building will stand for a long time to come. But old Pa Pitt misses the original parish for one very selfish reason: every year it had a festival, and every year it advertised the festival with banners stretched across Island Avenue at the bottom of the hill proclaiming in big, cheery letters, “MOTHER OF SORROWS FESTIVAL!” If Father Pitt had known the parish was closing, he would have bought those banners and donated them to the History Center.

    Cornerstone: Mother of Sorrows Church, 1925 A. D.
    Mother of Sorrows, perspective view
    Mother of Sorrows, side view showing round apse

    Note the round apse in the rear.

    Mother of Sorrows with rectory

    The rectory was built from matching Kittanning brick; a later extension just about doubled the size of it.

    Rectory
    Connection between church and rectory

    The rectory was connected to the church by this little infill decorated with patterned brickwork.

    Tower dome

    The tower terminates in a cross-topped dome teetering on the brink of Art Deco.

    Mother of Sorrows Church
    Volutes
    Rose ornament
    Lantern
    Fujifilm FinePix HS10.

  • St. Francis de Sales Church, McKees Rocks

    St. Francis de Sales Church, McKees Rocks

    The dome is the star of this extraordinary building, which was put up in 1899–1900 and is now slowly crumbling. The school behind it, heavily altered, is in use as a personal-care home; the church would be hard to find a use for even in a prosperous neighborhood. It ought to be preserved, but its most likely fate is to continue to crumble until it finally becomes too dangerous to leave standing. The architect was Marius Rousseau, who carried out the wishes of Father Charles J. Coyne for a church like a Roman basilica.1

    Dome of St. Francis de Sales
    Dome
    Dome from the back streets
    Side of the church
    Side entrance
    Side entrance
    West front
    Rear of the church
    A different side entrance
    Side entrance
    Sony Alpha 3000 with 7Artisans f/1.4 35mm lens; Canon PowerShot SX150 IS.
    1. “A Unique Church Edifice,” Pittsburg Press, November 26, 1899, p. 18. —Our article here has been revised; originally we did not know the architect, and we had dated the church four years too late. ↩︎

  • Reflection of the Keenan Building

    Top of the Keenan Building reflected in a modernist skyscraper

    The top of the Keenan Building (designed by Thomas Hannah) reflected in One Oliver Plaza (designed by William Lescaze and now the K&L Gates Center). It occurs to old Pa Pitt that some modernist buildings rely for most of their visual impact on what they reflect: the sky and other buildings, usually. We might say that makes them aesthetic parasites.

  • St. Mary’s Ukrainian Greek Catholic Church, McKees Rocks Bottoms

    St. Mary’s Ukrainian Greek Catholic Church, McKees Rocks Bottoms

    Now St. Mary Ukrainian Orthodox Parish. The history of Catholic and Orthodox Ukrainian Christians in the United States is complicated, and old Pa Pitt will not attempt to sort it out here. It ends with double Ukrainian churches in many neighborhoods, and that is the case here: there is a more recent Ukrainian Catholic church around the corner from this one.

    This impressive building was designed by Carlton Strong (whose full name was Thomas Willet Carlton Strong, and no wonder he usually shaved off half of it). Strong’s most famous work was the magnificently Gothic Sacred Heart in Shadyside, but he adapts very well to the Byzantine style here and gives the Bottoms a distinctive addition to its skyline.

    Dome
    Cornerstone dated 1922
    Entrance
    Front elevation
    From the rear
    Rectory

    The rectory is in a different style; it is certainly one of the most splendid houses in the Bottoms.

    Rear of the rectory, with fence in Ukrainian-flag colors

    The fence behind the rectory has recently been repainted in a patriotic color scheme.

    Church and rectory

    Carlton Strong, incidentally, came to Pittsburgh as a designer of apartment buildings, giving us the Bellefield Dwellings as his first work here. He later converted to the Catholic faith and became one of our most prominent church architects. You can read a good biography of Carlton Strong by the distinguished local historian Kathleen M. Washy on line:

    Designing in God’s Name: Architect Carlton Strong

  • St. Nicholas Russian Orthodox Church, McKees Rocks Bottoms

    St. Nicholas Russian Orthodox Church

    Now billing itself as just an “Orthodox” church, since the Russian Orthodox church in America became autocephalous in 1970 and has long included a broad spectrum of ethnicities. This church was built in 1914, and the architect was George W. King—a name that so far does not appear anywhere else on old Pa Pitt’s Great Big List of Buildings and Architects. “King” does not sound like a particularly Russian name, though Ellis Island could do funny things to people’s names. But he certainly seems to have captured the spirit of Russian church design, and these onion domes are one of the most distinctive features of the skyline of the Bottoms.

    Onion domes from the rear
    Front elevation
    Entrance and porch
    Round window
    Cornerstone dated 1914
    Perspective view from the south
    Rectory

    After the baroque elaboration of the church, the rectory seems almost ruthlessly plain. But it does its job well: it matches the church in materials, thus showing its association, but it directs all attention away from itself and toward the church, which seems theologically appropriate.

  • Domes of St. Nicholas

    The domes of St. Nicholas Russian Orthodox Church in the McKees Rocks Bottoms.

    Nikita Khrushchev visited Pittsburgh during his reign, and there’s an amusing legend about his trip in from the airport. He was being driven in along the Ohio River Boulevard, which was the way to get downtown before the Parkway West was finished, and he saw the skyline of the McKees Rocks Bottoms out the window. Khrushchev was convinced that the Americans had built a Russian Potemkin village to fool him into thinking…something. His American minders tried to explain that Pittsburgh is just like that, but Khrushchev couldn’t be fooled.

    The legend may be apocryphal, but like most such legends it tells us more about the people who told the legend than it does about the person it was told about. Pittsburghers were intensely proud of exotic landscapes like the Bottoms, and thought of them as things that made their city unique in America.

  • St. John the Baptist Carpatho-Russian Orthodox Church, Marshall-Shadeland

    St. John the Baptist Orthodox Church

    The congregation moved to a generic late-twentieth-century church building in the North Hills this year, finally following most of its members to the suburbs. (The congregation was secure enough to be able to move without taking out a loan, which is good news for them even if it’s bad news for the North Side.) That leaves this building in an uncertain state. Right now it is still being well maintained, but its neighborhood is not yet valuable. Perhaps with the revival of city living, it will be worth doing something with in the next few years.

    Cornerstone with a date of 1937

    The church was built in 1937, when the Depression was still with us and its congregation probably was not rich. The building is a curious construction in a style old Pa Pitt has decided to call “Modular Byzantine.” The parade of identical rectangles across the tall face of the church makes it look as though it was put together by a methodical and meticulous child playing with blocks.

    Corner view of the church, showing slope of lot

    Because of the extreme slope of the lot, the front has to be very tall if there is going to be any back at all. Since the main entrance is on the lower level, we can add this to our list of churches with the sanctuary upstairs.

    Dome with Byzantine cross

    The gold domes are a landmark on this section of California Avenue, and we hope they can be preserved.

  • Dome of the Liberty Market, East Liberty

    Better known to Pittsburghers as Motor Square Garden: it opened as a market house in 1900, but failed a few years later and began a long association with the automobile business. The architects were Peabody and Stearns, who also designed Horne’s department store downtown and several prominent mansions in the East End neighborhoods.

  • Saint Nicholas Orthodox Church, Homestead

    Saint Nicholas Orthodox Church, Homestead

    Many other Eastern churches have gilded or painted domes, but these domes are genuine made-in-Homestead stainless steel. Saint Nicholas Orthodox Church has its own Wikipedia article. It is a Ruthenian, or Rusyn, or Carpatho-Russian congregation that belongs to the American Carpatho-Russian Orthodox Diocese, a group of Ruthenian churches that left the Roman Catholic Church because the American bishops refused to allow them to keep their Eastern Rite traditions, notably married clergy. (The problem was later addressed with a separate Ruthenian Greek Catholic hierarchy for North America—too late to prevent this particular split.) The building itself was begun in 1936, but, what with one thing and another, it was not completed until 1950.

    It was a day of sun and clouds, so we have pictures in very different lighting.

    In the sun
    From the north
    Entrance