Father Pitt

Tag: Concrete Construction

  • A Marble House in Brookline? Well, Almost…

    Mrs. Mary M. Otterman house, Brookline, Pittsburgh

    The white facing blocks of this house set it apart from its neighbors, and from most other houses in Pittsburgh. Are they stone? Are they concrete? Well, mostly concrete, but a bit of both.

    Mrs. Mary M. Otterman house, Brookline, Pittsburgh

    When the house was going up, it attracted some attention for its novel material. From the Gazette Times, December 20, 1914:

    MARBLE DUST WITH CEMENT.

    New Brookline House Discloses Novelty in Material Used.

    A house nearing completion in Brookline, attracting much attention, is the home being erected by Mrs. Mary M. Otterman, on Berkshire avenue, near Castlegate avenue. Its construction is hollow tile, veneered on the outside with white “marble” blocks. These blocks are made on the premises by the use of a molding machine, the material used being white cement and marble dust. While this method of construction is not expensive, it has a very beautiful effect. The white “marble” walls, with rich brown trim and colored roof, make it one of the most attractive homes in the South Hills. The property is being visited dally by architects, contractors and prospective builders and no doubt many “marble” veneer houses will be built around Pittsburgh in the early spring.

    Mrs. Mary M. Otterman house, Brookline, Pittsburgh

    Well, it’s surprising how few of these “marble” houses we do see around Pittsburgh. It may be that architects and contractors missed out on a good idea. Here it is, 111 years later, and the “marble” blocks are still in perfect shape.

    Mrs. Mary M. Otterman house, Brookline, Pittsburgh
    Mrs. Mary M. Otterman house, Brookline, Pittsburgh
    616 Berkshire Avenue
    Olympus E-20N.
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  • Concrete Rowhouses by Titus de Bobula, Greenfield

    Titus de Bobula houses

    These tiny houses on Frank Street have a historic importance far out of proportion to their cost and size. First of all, they are among the relatively few remaining works of the eccentric architectural genius and flimflam artist Titus de Bobula, the man who would have been Fascist dictator of Hungary if he had had better luck. Second, they are built of reinforced concrete, some of the very first American houses so built. Titus de Bobula was the apostle of concrete in his brief architectural career, and his influence would be hard to overestimate.

    A single house in the row

    The houses have had their separate adventures since they were built, including some artificial siding. This one has had windows and front door replaced, but at least it shows the simple outlines of the design, including the bay window in front.

    The row from the Greenfield Avenue end

    The house on the end may be the best preserved of the row.

    From the Lilac Street end

    Many sources say that twenty of these houses were built. Six remain, and old Pa Pitt believes there were never more than nine. The architect claimed to have built more, but we cannot rely on anything Titus de Bobula says about his work, because he was prone to exaggeration and outright fabrication.

    The houses were an investment by multimillionaire newspaper magnate Eugene O’Neill, owner of the Dispatch and no relation to the playwright of the same name. He owned the land on Frank Street and along Greenfield Avenue to either side. Some architectural historians say that De Bobula rowhouses went up on Greenfield Avenue, but that is contradicted by old maps and today’s evidence.

    Rowhouses on Greenfield Avenue

    These rowhouses on Greenfield Avenue, on the land once owned by Eugene O’Neill, were built at about the same time as the De Bobula houses, but these are standard brick. Old maps do show three more concrete houses on Lilac Street, perpendicular to the row on Frank Street, but those were replaced after the Second World War by two larger and more expensive houses:

    Where more De Bobula houses used to be

    These two houses stand where a row of three concrete houses, probably by De Bobula, stood in the first half of the twentieth century.

    For more on Titus de Bobula and his very surprising career, you can see the article on Titus de Bobula in Father Pitt’s Pittsburgh Encyclopedia.