The most striking feature (in two senses of the word “striking”) of this church is the great clock tower, which gives time to the whole village. In fact, the borough took over responsibility for maintaining the clock, as the church tells us in its page of Village Clock Tower Facts. The tower was finished in 1884, and in 1996 a thorough rebuilding was finished that included a new electronic clock to replace the replacement clock that had replaced the original clock many decades previously.
A small but very rich classical bank still in use as a bank.
The clock suggests that the bankers will consult an astrologer before investing your money.
Stock-photo sites will charge you good money for patently metaphorical pictures like these. Yet old Pa Pitt gives them to you for free, released with a CC0 public-domain donation, so there are no restrictions on what you can do with them.
Cameras: Kodak EasyShare Z1285 (HDR stacks of three photographs); Canon PowerShot SX150 IS.
The outsized corner tower of this Episcopal church defines the rich and splendid building, designed by R. Maurice Trimble and built in 1906. Old Pa Pitt is especially happy that the clock is keeping time, because it’s an extraordinary clock.
Cameras: Sony Alpha 3000; Nikon COOLPIX P100.
If you are a Pittsburgher, you have probably seen it many times, but you may not have paid it much attention.
It belongs to one of the atlantes—Atlas figures—on the Kaufmann’s clock.
The Iroquois Building, which takes up a whole block of Forbes Avenue, was designed by Frederick Osterling, Pittsburgh’s most consistently flamboyant architect. Osterling designed in a variety of styles: he had his own ornate version of Richardsonian Romanesque, and his last large commission was the Flemish-Gothic Union Trust Building. Here, as in the Arrott Building downtown, he adapts Beaux-Arts classicism to his own flashier sensibilities. The building was finished in 1903.
This clock sits in front of the central light well—a typically ornate Osterling detail.
A naked brick front would never do for Osterling; it must be constantly varied in shape and texture. These grotesque reliefs help.
It is difficult to convey a sense of the scale of this enormous clock, but seeing it looming behind the rowhouses of 21st Street gives us some idea.
We’ve seen this building elsewhere, from an angle, but here is old Pa Pitt’s best attempt (so far) at seeing it head-on from the front, the way the architects (Dowler & Dowler) might have drawn it back in 1957. The picture is a composite, and there are stitching errors if you examine it closely; but it still gives a better impression of the design of the building than any other picture of it that Father Pitt has seen.
One of the building’s most attractive features is the Pennsylvania relief with rotating globe, illustrating the slogan “Anywhere Any Time by Telephone.” The relief shows outsized Pittsburgh as “Gateway to the West,” and the clearly less important Philadelphia as home of the Liberty Bell and City Hall. The globe used to rotate to show the part of the earth currently illuminated by sunlight; but both the globe and the clock above it have stopped, and the plastic window over the globe is sadly fogged. Now that the building has become luxury apartments, perhaps an enlightened ownership will put a little money into restoring what used to be one of downtown’s unique attractions.
