Tag: Classical Architecture

  • City-County Building

    City-County Building

    Edward B. Lee won the competition for the design of the City-County Building in “association” with Palmer & Hornbostel. Lee’s was the name in the headlines, and Lee was the only architect mentioned in the ordinance ratifying the results of the competition. But years later Lee explained that the design was Henry Hornbostel’s, with Lee just executing drawings from Hornbostel’s design. As flamboyant as he could be, Hornbostel was also generous and encouraging to his colleagues.

    Newspaper clipping with architects’ elevation of winning design for City-County Building
    Front page of the Pittsburgh Post, January 20, 1914.

    But old Pa Pitt has a suspicion that there might be more to the story than mere generosity.

    In 1904, Hornbostel had won the competition for the Carnegie Tech campus, beating—among others—the famous Cass Gilbert.

    In 1907, Hornbostel had won the competition for Soldiers and Sailors Hall, beating—among others—Cass Gilbert.

    Now he was entering another really big competition, and the judge was Cass Gilbert, who had been selected to “prepare and conduct” the competition.1 Perhaps Hornbostel calculated that his design would have a better chance with somebody else’s name on it.

    Arms of the City of Pittsburgh

    Reliefs by sculptor Charles Keck depict the arms of the City of Pittsburgh (above) and the County of Allegheny (below). Keck also contributed sculptures for Soldiers and Sailors Hall.

    Arms of Allegheny County
    Arch of the City-County Building
    Fujifilm FinePix HS10.

    The three enormous arches are the most distinctive features of the building. Comparing the preliminary elevation above with the finished building, we can see that they were made even larger later on in the planning.


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  • Jr. O. U. A. M. Building, Oakland

    Jr. O. U. A. M. Building

    The Junior Order of United American Mechanics is a fraternal order that was originally the young people’s division of the Order of United American Mechanics. Since it has its own Wikipedia article, old Pa Pitt will send you there for information about the order. For this building, however, he is happy to be your source of information. It was built to be the national headquarters of the organization, which had previously been in the Wabash Building downtown. “The new five-story building of the Junior Order of United American Mechanics at Forbes and Halket sts., was completed last June at a cost of about $350,000, exclusive of the site. The national headquarters of the order, which formerly were in the Wabash building, occupy the entire fourth and fifth floors of the new building, while the lower floors are given over to offices and store rooms.” (Pittsburgh Press, Monday, January 4, 1926.) This building was designed by Louis Stevens, best known for elegant homes for the well-to-do, but also the designer of all the public buildings in the borough of Overbrook (now part of the city of Pittsburgh).

    Jr. O. U. A. M.
    Cornerstone, with date of foundation (1853) and construction (1924)

    The cornerstone was laid in 1924, but the building was completed in 1925.

    Cartouche
    Entrance

    It will come as no surprise that the building now belongs to the University of Pittsburgh.

    Metalwork
    Metalwork
    Cornice
    Jr. O. U. A. M. building
    From Magee Hospital
    Fujifilm FinePix HS10; Canon PowerShot SX150 IS.

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  • Hartje Brothers Buildings

    Hartje Buildings

    Two nearly identical buildings side by side on Wood Street, both built around the turn of the twentieth century for the Hartje Brothers, a big paper company. Charles Bickel was the architect, and here he compressed the usual American skyscraper formula of base-shaft-cap into seven floors.

    The corner building has a long front on the Boulevard of the Allies; we saw it about a year and a half ago, but here is the same picture again.

    Boulevard of the Allies side
    Fujifilm FinePix HS10.

    A short time after these buildings went up, the Hartje Brothers called on Bickel again to design a twelve-storey skyscraper a block away at Wood Street and First Avenue, which we have used as a textbook example of the Beaux Arts skyscraper.


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  • Soho Public Baths

    Soho Public Baths

    Built in 1907–1908, this splendid bathhouse was designed by Carpenter & Crocker,1 who did the whole ground-floor front in terra cotta.

    This bathhouse served Soho, once a crowded neighborhood of tiny houses, many without indoor plumbing; long lines would form on Saturday nights as the working classes took their one chance to get clean. Almost all the houses are gone, and most of the other buildings, leaving overgrown foundations; this stretch of Fifth Avenue is spookily deserted. Even the neighborhood has ceased to exist in Pittsburghers’ imaginations. Soho once referred to the area around the north end of today’s Birmingham Bridge, but there is no such place now on city planning maps. What used to be Soho is divided officially between “Bluff,” “West Oakland,” and “South Oakland.” Soho is generally mentioned only when Andy Warhol comes up, because he was born there; but if you ask where Soho was, Wikipedia will tell you it is a synonym for Uptown, which it will also tell you is the same as the Bluff. (In fact the house where Andy Warhol was born, now a patch of woods on a deserted street, is in the part designated West Oakland by the city.)

    This building was in use more recently than most, but it, too, has been left to rot. It is one of only three or four standing public baths in the city, only one of which—the Oliver Bathhouse—is still serving its original purpose.

    Public Baths

    Old Pa Pitt painted out the close-up graffiti in this picture, because they were distracting, and because if street gangs want to advertise on his site, they can pay for it.

    Soho Public Baths
    Soho Public Baths
    Soho Public Baths
    Balcony
    Ornament with cartouche
    Frieze
    Lintel
    Cartouche
    Keystone
    Soho Public Baths
    Fujifilm FinePix HS10; Samsung Galaxy A15 5G.

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  • Engine Company No. 8 and East End Police Station, East Liberty

    Firehouse and police station

    City architect Richard Neff designed this palace of public safety in the style old Pa Pitt likes to call American Fascist, which combines classical detailing with an Art Deco sensibility. It is currently getting a thorough renovation.

    Engine Company No. 8 and East End Police Station
    Truck Co. No. 8; Engine Co. No. 8

    It’s Construction Safety Week! But don’t worry. You still have fifty-one weeks in the year to be careless.

    East End Police Station
    Engine Company No. 8 and East End Police Station
    Fire and police station under renovation
    Sony Alpha 3000 with 7Artisans 35mm f/1.4 lens; Canon PowerShot SX150 IS.

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  • East End Electric Light Company, East Liberty

    1899 in the gable of the building

    Here is a relic of the genesis of the Electric Age. In the early days of electric light, the East End Electric Light Company supplied the rich East Enders with current to light their mansions. In 1899 it built this large substation, which is still in use by Duquesne Light today. Although it is clearly industrial, the building was put up at a time when an industrial building had to be ornamental as well as useful. It was therefore built in the style the ancient Romans might have used it they had built electric substations in their cities.

    Power substation
    Power substation
    Window
    End of the building
    Sony Alpha 3000 with 7Artisans 35mm f/1.4 lens; Canon PowerShot SX150 IS.

  • Carnegie Carnegie

    Carnegie Free Library

    Officially the Andrew Carnegie Free Library, or the Carnegie Free Library by the inscription over the door, but the name “Carnegie Carnegie” is obvious and irresistible and adopted for the library’s Web site.

    Carnegie Carnegie

    When the two Chartiers Valley boroughs of Mansfield and Chartiers merged in 1894, they decided to name the new town Carnegie after what was probably the most familiar name in the Pittsburgh area. In return, Andrew Carnegie gave them the jaw-dropping sum of $200,000 for this magnificent building (designed by Struthers & Hannah), plus money for books and—unusually for Carnegie—an endowment. His usual agreement with towns that took a library from him was that the town must undertake the upkeep, thus making the citizens ultimately responsible for their library; but in a few steel towns (where we suppose he felt more personally responsible) he endowed the library with enough of a fund to keep it going indefinitely.

    Inscriptions: 1899 and Carnegie Free Library
    Entrance to the Music Hall
    Hall

    Like Carnegie’s other steel-town libraries, this one was not just a library. It also had a music hall, a gymnasium, and a lecture hall.

    Window of the Music Hall, with terra-cotta lyre

    Note the terra-cotta lyre over this window on the music-hall front of the building. Today the music hall is still delighting audiences, and the library sticks to its mission of being a welcoming place to go read a book.

    Entrance
    Capitals

    Columns of the Composite order, the most elaborate of the five classical orders, send the message that this is not just a library but a palace for the people.

    Lobby

    The lobby lets us know that we have entered a building of unusual richness. Marble panels cover the walls, and mosaic tile decorates the floor.

    Tile
    Foot of the stairs

    The Greek-key pattern in the tile is repeated in the risers in the stairs.

    Plaque: This building and park given and dedicated by Andrew Carnegie to the citizens of this borough, anno domini 1899
    Lobby
    Upstairs

    On the second floor of the building is an extraordinarily well-preserved post of the Grand Army of the Republic, and Father Pitt will try to return soon for some pictures of the room.

    View from the second-floor balcony
    Interior of the Carnegie Free Library

    The interior of the library itself mimics the experience of being a rich man with a big library—like old Col. Anderson, whose library was Carnegie’s model. You walked in, sat in front of a big fireplace, and had servants bring you books, and for an hour or two you were just as wealthy as Carnegie himself.

    Fireplace

    Open stacks have eliminated the servants, but the fireplace is still there, with a familiar face over the mantel.

    Portrait of Andrew Carnegie
    Interior with circulation desk
    Reading room

    In days of gaslights and low-wattage early electric bulbs, natural light from outside was still important for a reading room. Fortunately no one ever had the money to block up these windows.

    Window from the outside
    Window

    All the windows are surrounded with elaborate terra-cotta decorations.

    Carnegie Free Library
    Perspective view of the library and rear of the Music Hall
    Erected A. D. 1899.
    Sony Alpha 3000; Canon PowerShot SX150 IS.

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  • Some Details of the Old Presbyterian Hospital, North Side

    Date stone with date MCMVI

    A few months ago Father Pitt published a view of the front of the old Presbyterian Hospital on the North Side, which is where Presby lived before it moved to Oakland to become the nucleus of the medical-industrial complex there. Since he was walking by the building again the other day, old Pa Pitt thought he would add a few more details.

    Presbyterian Hospital
    Taken in January, 2025, with a Kodak EasyShare Z1285.

    After Presby moved out, this site was used as Divine Providence Hospital for many years. The last we heard, the building was mostly vacant, but was being considered for conversion to “affordable” apartments.

    Entrance
    Entrance

    We can just make out the ghosts of letters spelling out “DIVINE PROVIDENCE HOSPITAL.”

    Window with tree

    If we cannot find a use for a building, Mother Nature will.

    Window
    Nikon COOLPIX P100.

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  • Highlights of Greek Architecture in the Carnegie Institute

    Sphinx on the Votive Column of the Naxians

    The Hall of Architecture in the Carnegie gives us a whirlwind tour of Western architectural history from Egypt to the Renaissance, through the medium of life-size plaster casts. Above, the sphinx on the Votive Column of the Naxians at Delphi. It originally stood on a column more than thirty feet high, and the Carnegie’s cast is elevated to give viewers an approximation of the angle at which the sculpture was meant to be seen.

    Sphinx from the front
    Façade of the Temple of Athena Nike

    The façade of the Temple of Athena Nike, a textbook Ionic temple, and the model for many a mausoleum in Pittsburgh cemeteries.

    Porch of the Maidens

    The Porch of the Maidens, whose caryatids were much imitated in the Renaissance.


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  • Husler Building, Carnegie

    Front elevation of the Husler Building

    Samuel T. McClarren, a very successful Victorian architect and a resident of nearby Thornburg, designed this landmark building, which was put up in 1896.

    A small alteration to the front gives us an example of how important the little details are to the appearance of a building. The arched windows in the top floor have been shortened, as we can see by the slightly different shade of brick where they have been filled in. The original design would have created a single broad stripe from the arches at the top to the storefront below. Interrupting that composition makes the building look awkward and top-heavy. The ground floor has also been altered in a way that obscures the vigor of the design. Once we have said that, however, we should acknowledge that the building is generally in a good state of preservation and praise the Historical Society of Carnegie for keeping it up.

    Date stone: Husler Building, 1896
    Husler Building

    This building has a very difficult lot to deal with, and the architect must have found it an interesting challenge. First, the lot is a triangle. A kind of turret blunts the odd angle on the Main Street end and turns it from a bug into a feature.

    Husler Building from the Chartiers Creek bridge

    The second challenge is that one long side of the lot is smack up against Chartiers Creek, a minor river that is placid most of the time but can be a raging torrent when storms make it angry. The foundations would have had to take all the moods of the river into account, and the fact that the building has stood through disastrous floods suggests that Mr. McClarren knew what he was up to.

    Husler Building from across Chartiers Creek
    Rear of the Husler Building

    A view from across Chartiers Creek shows us the sharp point of the triangle in the rear.

    Husler Building
    Bay windows on the front
    Ornament
    Spiderweb window
    Husler Building with ghost signs for Lincoln Savings Bank
    Nikon COOLPIX P100.

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