
The Forbes Avenue side of the City-County Building, with bronze lanterns that few pedestrians stop to appreciate.

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The Forbes Avenue side of the City-County Building, with bronze lanterns that few pedestrians stop to appreciate.


When Harry Truman was campaigning in Pittsburgh in 1948, he was introduced to the prothonotary. He replied with the question that was always on everyone’s mind on similar occasions, but that was seldom expressed as straightforwardly as Truman could express it: “What the hell is a prothonotary?”
We never figured out a good answer to that question, so we no longer have a prothonotary. But you can still see the title over this Forbes Avenue side entrance to the City-County Building; and if you go in through that door and explain to the first person you see what a prothonotary was, perhaps you will win a prize. But be aware that an alarm will sound.


Edward B. Lee won the competition for the design of the City-County Building in “association” with Palmer & Hornbostel. Lee’s was the name in the headlines, and Lee was the only architect mentioned in the ordinance ratifying the results of the competition. But years later Lee explained that the design was Henry Hornbostel’s, with Lee just executing drawings from Hornbostel’s design. As flamboyant as he could be, Hornbostel was also generous and encouraging to his colleagues.

But old Pa Pitt has a suspicion that there might be more to the story than mere generosity.
In 1904, Hornbostel had won the competition for the Carnegie Tech campus, beating—among others—the famous Cass Gilbert.
In 1907, Hornbostel had won the competition for Soldiers and Sailors Hall, beating—among others—Cass Gilbert.
Now he was entering another really big competition, and the judge was Cass Gilbert, who had been selected to “prepare and conduct” the competition.1 Perhaps Hornbostel calculated that his design would have a better chance with somebody else’s name on it.

Reliefs by sculptor Charles Keck depict the arms of the City of Pittsburgh (above) and the County of Allegheny (below). Keck also contributed sculptures for Soldiers and Sailors Hall.


The three enormous arches are the most distinctive features of the building. Comparing the preliminary elevation above with the finished building, we can see that they were made even larger later on in the planning.