Tag: Charles Bickel

  • South Side Market House

    South Side Market House

    Charles Bickel designed this Romanesque market house in the middle of Bedford Square, which is one of our most charming urban spaces in the southern half and blighted by parking lots in the northern half. It was built with a pair of towers in 1893; it burned to a shell in 1915, and was rebuilt without the towers. It is now a center for “healthy active living” for old folks like Pa Pitt, though most of the old folks he runs into are considerably younger than his 264 years.

    North face

    The north face has suffered a few alterations in the fenestration (a fancy architectural term for “where the windows go”), but still makes an interesting picture with the Belgian block of Twelfth Street leading toward it.

  • Reymer Brothers Candy Factory, Uptown

    Reymer Brothers

    Charles Bickel designed this Romanesque industrial building with considerable inspiration from H. H. Richardson’s Marshall Field’s Wholesale Store in Chicago, which set the pattern for Romanesque industrial buildings for a generation. Bickel’s design is simpler, and by placing the arches at the top he makes the building feel taller (in fact it is shorter by one storey than Richardson’s building was).

    Corner view

    The Reymer Brothers were in the candy business, but Pittsburghers remember them best for Reymers’ Blennd, or Lemon Blennd, the deliberately misspelled lemon-and-orange-flavored drink that cooled off generations of children in the summer. The Reymers’ Blennd brand was picked up by Heinz at some point; It seems to have vanished just this year with the demise of its last owner, Byrnes & Kiefer. It is certainly fondly remembered. Here is what claims to be the World’s #1 Lemon Blennd Site, and there are others if you go looking.

  • Concordia Club, Oakland

    Concordia Club

    The Schenley Farms section of Oakland was crusty with clubs a century ago, but few were as influential as this one.

    Charles Bickel designed this elegant clubhouse for a Jewish gentlemen’s club made up mostly of members of the Rodef Shalom congregation. To call it a gentlemen’s club brings up images of well-dressed men sitting inert with newspapers in their hands, but these gentlemen were far from inert. These were gentlemen who got things done. This club was the incubator of Reform Judaism; it was at the club (when it lived on the North Side) that the Pittsburgh Platform was signed.

    This clubhouse was built in 1913, and the club continued to use it for almost a century. It finally fell to the same forces that evicted most of the other clubs in this section: declining membership in our antisocial age, and the bottomless well of money that the University of Pittsburgh can draw on. It was sold to Pitt in 2009, and is now known as the O’Hara Student Center.

    Concordia Club
  • West Penn Building

    West Penn Building

    Charles Bickel designed this small skyscraper at First Avenue and Wood Street, which was finished in 1907. It’s a perfect demonstration of the base-shaft-cap form of an early skyscraper. In fact we can use this building as a textbook in our short course on how to read a Beaux-Arts skyscraper. The two-storey base contains the public aspects of the building—retail stores, public offices, and so on. The shaft is the main body of the building, a repeated pattern of windows and wall. The cap gives the building a presentable top, since a gentleman would not appear outdoors without his hat. Note also the floor just above the base outlined with a prominent border. That is the bosses’ floor, where the managers and other important people have their offices. “Form follows function,” as Louis Sullivan said; and in this case the form gives concrete shape to a social reality. You have now completed our course, and may award yourself a certificate.

    West Penn Building
  • Ewart Building

    Ewart Building

    Charles Bickel was quite at home in the Romanesque style, and he prospered in a city that had gone mad for Romanesque after Richardson’s County Courthouse appeared. The Ewart Building was put up in 1892. Old Pa Pitt was attracted to this morning view by the pattern of reflections on Liberty Avenue.

  • Ewart Building

    The prolific Charles Bickel designed this well-balanced Romanesque building, two doors up from another one of his Romanesque creations on Liberty Avenue, the Maginn Building. Below we see both of them in context, with, of course, a bus coming toward us, because old Pa Pitt likes to do that.

  • Granite Building

    A very-wide-angle view of the Granite Building, designed by the prolific and versatile Charles Bickel for a German bank. He has made use of every texture and shape of which granite is capable, and the result is a particularly lively, if perhaps a bit jumbled, rendering of German Romanesque.

    You may notice some ghostly figures, including a spectral automobile, in the photograph. Father Pitt would love to be able to claim privileged access to the wonders of the invisible world, but in fact this is a composite photograph taken on a busy street, and people will continue to move even when they see an older gentleman in a cocked hat trying to take a composite picture.

    The Granite Building is just across Wood Street from the Wood Street subway station.

  • Concordia Club

    The Concordia Club was one of a number of fine clubs in Oakland; it lasted until 2009, when its building was sold to the University of Pittsburgh, which made it into the O’Hara Student Center. It was founded “to promote social and literary entertainment among its members,” and it seems always to have been a largely Jewish organization. Father Pitt does not know the details of the sale, but it took at least the club’s Web site by surprise. The site is frozen in 2009, with a calendar of events whose last entry is April 30, 2009: Annual Meeting and Dinner.

    The building itself was designed by the prolific Charles Bickel, who could always be relied on to make the client proud.