Father Pitt

Tag: Centre Avenue

  • Pierce-Arrow Dealer, Shadyside

    Painter-Dunn building

    We continue our visits to car dealers of the mythic past with one that catered to the very highest class of motorist. The Painter-Dunn Company sold Pierce-Arrow cars, a luxury brand that lasted until 1938. This dealership is the architectural equivalent of the Pierce-Arrow advertisements, which concentrated on elegant design without trying to tell us how good the car was. The design conveyed the message.

    Pierce-Arrow advertisement
    Decorative details

    Father Pitt does not know the whole history of this building. The elaborate cornice at the top of the second floor suggests that the third floor was a tastefully managed later addition.

    Addendum: The Construction Record in 1915 confirms that this building was put up as two floors, and names the architects: “Architects Hunting & Davis Company, Century building, awarded to Henry Shenk Company, Century Building, the contract for constructing a two-story brick and terra cotta garage and assembly shop on Center avenue, Shadyside, for the Painter-Dunn Company. Cost $100,000.”

    From Millvale Avenue

    Note how Millvale Avenue runs right into the garage entrance.

  • Two Different Interpretations of Tudor in Oakland

    The apartment building above, which faces Centre Avenue, is arranged as a kind of Tudor Renaissance palace. In defiance of its sloping site, it is a perfect rectangle arranged around an open courtyard. One can imagine Queen Elizabeth building herself a palace on this pattern.

    Almost adjacent—in fact, directly adjacent in the rear parts—is the Schenley Arms, which sits in the narrow angle between Centre Avenue and Bigelow Boulevard.

    Where the (unnamed, at least on its face) apartment building above is in the style of a Tudor palace, this is deliberately arranged in the ramshackle fashion of an old English inn. The deliberately haphazard shape takes advantage of a very irregular lot and gives the building an entirely different appearance from different angles.

    Neither one of these buildings is a very accurate representation of real Tudor architecture: they are mostly put together from standard parts with Tudor accents added. But the Tudor accents are valuable. Especially in the Schenley Arms, they give the building an architectural reason for being an absurd mishmash of odd angles: it looks as though the building was supposed to be that way, rather than forced into its absurd shape by the constraints of an absurd property.

    Update: Note the comment below identifying Edward Crump, Jr., as having designed and built the Schenley Arms. The other building, which was named the Pennsylvanian, was designed, constructed, financed, and managed by architect Daniel A. Crone, according to his biography in Pittsburgh of Today (1931).

  • The Bellefield

    An apartment building whose elaborately decorated upper floors make it look a bit top-heavy.

    Addendum: According to the city architectural inventory (PDF), the Bellefield Dwellings apartment house was built in 1904. It is listed with the State Historic Preservation Office.

    The Pittsburgh History & Landmarks Foundation identifies the architect as New Yorker Thomas Carlton Strong, who later moved to Pittsburgh, converted to Catholicism, and designed Sacred Heart Church in Shadyside. Now apartments for senior citizens, it was built as luxury urban housing where each apartment included servants’ quarters.