A little apartment building—with four apartments, judging by the number of buzzers—in what old Pa Pitt calls the fairy-tale style, the mark of which is exaggeratedly picturesque features that look like illustrations from a children’s book.
The entrance is so similar to the entrance to the Sholten Arms in Carrick that we have to suspect the same hand drew both. Father Pitt’s guess is that the decorative gable was originally carried all the way to its logical peak, but was truncated when the overhang was rebuilt.
In honor of Reformation Day, here is a Lutheran church. O. M. Topp, for a generation the favorite choice of Lutherans, designed this neat Gothic church, which was built in 1929, as we see from the cornerstone.1 But, oddly, the cornerstone says that the church is the Sunday school.
That’s because things didn’t go exactly as planned. This was meant to become the Sunday-school wing, temporarily serving as the sanctuary until the much larger church was built. But then the Depression came, and then the war, and the big church was never built. Instead, when the congregation was finally ready to expand in 1960, it was decided to keep this building as the sanctuary, and a large modern Sunday-school wing was built beside it.
The architect’s drawing shows us that nothing on the outside has changed except for the encrustation of newer building to the left.
Yesterday we looked at the Spanish Mission style in Dormont. One of the adjacent city neighborhoods, Brookline, is also stuffed with Spanish Mission commercial buildings along Brookline Boulevard. Again, we look for tiled overhangs (although often the tiles have been replaced with asphalt shingles) held up by exaggerated brackets.
This building was the Brookline Theatre, a silent-era neighborhood movie house.
The building above and the one below both bear dates of 1926, and they share some similar design ideas—though the one above has slated instead of tiled overhangs.
The challenge: take a 1970s Brutalist retirement home that seemed to interrupt the neighborhood streetscape of Brookline Boulevard and re-imagine it as something bright and welcoming that would fit with the little one-off shops that make up the rest of the Boulevard. Rothschild Doyno Collaborative responded in 2011 with this design, whose muted but varied colors, large windows, and human-scaled ground floor seem at home on the street, whereas the previous incarnation of the building seemed to loom menacingly.
Perhaps not quite as ritzy as they would be in another neighborhood, but for prosperous working-class Brookline this is a fine building. The stone-fronted ground floor is topped by two floors of stone-colored white Kittanning brick, making a rich impression; and clever little decorations made from what look like terra-cotta remnants brighten what might otherwise be a monotonous façade.
The Brookline Theatre on Brookline Boulevard in Brookline was a typical neighborhood movie house of the silent era. According to Ed Blank, the well-known newspaper critic, who has made a thorough study of Pittsburgh movie houses, it opened on March 28, 1921. It ceased to show movies about half a century ago, and since then has had a varied career as a thrift shop, a bar, and currently a sports bar with two competing cell-phone dealers. The Mission style of the building, with its tiled overhang and exaggerated wooden brackets, was popular in the 1920s, especially in the South Hills neighborhoods.
According to its page at Cinema Treasures, this theater opened as the Braverman in 1928, just at the beginning of the sound era, but was soon renamed the Boulevard Theatre. We can see multiple layers of renovations, the most significant of which happened in 1937, when it was given the Victor Rigaumont treatment. Mr. Rigaumont was Pittsburgh’s most prolific architect of neighborhood movie palaces, and indeed his works can still be found all over the Northeast. Here the Art Deco panels on the second floor are certainly his work. The later ground-floor treatment was beamed in from the parallel universe where Spock wears a beard. After the theater closed, this was used as a Cedars of Lebanon hall for some years. Now it is a nightclub belonging to the Beechview-based Las Palmas empire, which also includes half a dozen Mexican groceries, a restaurant, and a radio station.
Old Pa Pitt apologizes for the poor pictures. The sun was behind the building, and he had gone out with nothing but a phone in his pocket, not expecting to take pictures; then a delay in his other business left him with nothing to do for half an hour on Brookline Boulevard, one of his favorite commercial streets in the city.
Pitaland has been a fixture on Brookline Boulevard for decades now. It is a store where you can find all kinds of Lebanese specialties. It is a lunch counter with a national reputation. And it is a bakery supplying pitas to supermarkets and restaurants all over the Pittsburgh area. Here is where the pitas come from: sixteen seconds of pitas rolling out of the oven, all puffed up and steaming.
There are a couple of interesting used-to-bes about this frame duplex in Brookline. First, it used to be St. Mark’s English Lutheran Church: it was built before 1910, when the neighborhood was first being developed. In 1929, the church moved several blocks away to a new stone building designed by O. M. Topp, and this was converted to a double house.
Second, although the building stands on Bodkin Street now, it used to be on Brookline Boulevard. It was not the building that moved, however: the street moved out from under it. Brookline Boulevard used to go down toward West Liberty Avenue in a straight line from the top of the hill, but the grade was too steep for streetcars, which were routed in their own right-of-way that made a long curve down the hill. When the streetcar line to Brookline was abandoned, the western section of Brookline Boulevard, from Pioneer to West Liberty Avenues, was routed over the abandoned streetcar right-of-way, and the old Brookline Boulevard was renamed Bodkin Street.
