Here is an exceptionally fine example of a decorated gable in a house built in the 1880s.1 The house is a rare survivor in Pittsburgh, where almost every frame house has long since been sheathed in one of the Four Horsemen of the Apocalypse—aluminum, vinyl, Insulbrick, and Permastone.
Folk art is notoriously perishable; what is valuable is valuable precisely because there is so little of it left compared to what has been thrown out as worthless. Decorating houses with woodwork was one outlet for the artistic instinct that gave the work more than usual permanence, and in neglected neighborhoods we can still find some of these decorations in houses that have been kept up but not improved with fake siding. Whether the decorations were hand-carved or turned out by the hundreds as stock designs from a lumber mill, they represent an important branch of folk art—designs that stand outside the main stream of academic art, but stand within a long vernacular tradition of decoration.
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