Leo McMullen of Comès, Perry & McMullen was the architect of the grandest church in his hometown of Bellevue. We have seen this church in detail before, including the front, the interior, the carvings of Adam and Eve at the entrance, the gargoyles, the curious grotesque brackets, and the stained glass. But a cathedral-sized church like this always has more to show us, and the changing season brings us the added delight of fall color.
The drama of salvation plays out in glass in the Church of the Assumption, with each pair of windows illustrating events from the Old and New Testaments related by a common theme. We have only a few of the windows here; it would be worth spending an hour or two to examine all of them. Above left: King Achab sends Micheas to prison; the Agony in the Garden; King Joram rejects the prophecy of Eliseus. Above right: Abner is slain treacherously by Joab; Judas betrays Christ with a kiss; Tryphon deceives Jonathan with gifts.
Left: Joseph is sold by his brethren; Judas conspires with the priest and magistrates; Absalom entices the men of Israel. Right: Melchisedech meets Abram; the Last Supper; the manna from heaven.
Left: Esau sells his birthright to Jacob; the Temptation of Christ; the tempting of Adam and Eve. Right: Moses heals Miriam; Mary Magdalene at the feet of Christ; the repentance of David.
Left: Enoch is borne to heaven; the Ascension; Elias is raised into heaven. Right: Moses receives the tables of the Law; the descent of the Holy Ghost as fire from heaven; the sacrifice of Elias.
To enter the Church of the Assumption, you pass through an arch held up by Adam and Eve just after the Fall.
The grotesque brackets along the sides of the Church of the Assumption run in a repeating series that seems to illustrate various stages of carving.
The gargoyles on the Church of the Assumption capture the true medieval spirit of inspired grotesquerie and goofiness and filter it through a twentieth-century sensibility. This gargoyle is having a bad day.
This one on the side of the building seems to be above a chimney vent. It demonstrates, in a silly way that would have appealed to the medieval sense of humor, one of the torments prepared for the damned.
Leo McMullen, a disciple of the great John T. Comès, put his own unique Art Deco spin on traditional Romanesque architecture to give us a remarkably successful melding of medieval and modern sensibilities. McMullen was a native of Bellevue, and it looks as though he decided to put his hometown on the map by giving it a church that would be the envy of any city in the world. He succeeded.
Father Pitt took so many pictures of this glorious church that he is forced to split them up into multiple articles. And even with dozens of pictures, he has hardly begun to catalogue the artistic treasures to be found here. If you appreciate architecture, stained glass, painting, and sculpture, you owe yourself a visit to the Church of the Assumption.
Many more pictures to come.
This splendid church was designed by Bellevue’s own Leo A. McMullen, an architect and organist who is almost forgotten today, but whose works were highly regarded in his time. The American Institute of Architects counted him as one of “six architects who shaped Pittsburgh,” according to his obituary in 1963.
The four evangelists—Mark, Matthew, John, and Luke, in that order—are lined up on the façade, each holding open a book that displays the first words of his Gospel.
