The space across the alley from the rear of Fifth Avenue High School, Uptown, is now a parking lot, and on New Year’s Day it was a deserted parking lot. Thus, with a wide-angle lens, old Pa Pitt could get this picture of (almost) the entire rear of the school, which was designed by Edward Stotz. It sat abandoned for three decades, but now, like every other large building in the city, it has been turned into loft apartments.
The west front of this church, with its outsized towers, was inspired by York Minster; it makes the church look a good bit bigger than it actually is. The hilltop location makes it a landmark visible from miles away. The congregation, a descendant of the early-settler congregation that established the St. Clair Cemetery across Scott Road, now belongs to the Evangelical Presbyterian Church, a young denomination founded in 1980.
Addendum: According to the September, 1931, issue of the Charette, the magazine of the Pittsburgh Architectural Club, the architects were “O. M. Topp and T. L. Beatty associated.”
Begun in 1942, this church is more elaborate than many cathedrals. The architect, William Perry, grew up in Dormont, and he seems to have realized that this was a chance to leave a magnificent legacy in his own back yard.
Like almost every other substantial building in this part of Oakland, the Twentieth Century Club—once Pittsburgh’s premiere women’s club—now belongs to the University of Pittsburgh. This picture was taken a little more than a year ago.
Currently part of Holy Apostles parish, St. Basil’s occupies a splendid hilltop site from which its great rose window can be seen for miles. St. Basil himself presides over the façade, imprisoned in a cage that keeps the pigeons out and St. Basil in.
More of St. Boniface on East Street. These pictures were taken with a Samsung Digimax V4, which was quite a camera in its day. Though it fits (lumpily) in a pocket, it has a Schneider-Kreuznach Varioplan lens and allows manual control of everything. It is also the slowest camera old Pa Pitt has ever used, and he includes folding roll-film cameras in that calculation. It is especially slow if you set it to save in uncompressed TIFF format; then the time between shots is about 45 seconds, during which one could probably expose a whole roll of 620 film in a 6×9 roll-film camera.
But Father Pitt has decided to make this limitation part of the artistic experience: he knows he will be taking one shot, and thus has a strong motivation to compose it carefully. He has also set the camera to black-and-white only, making it his dedicated monochrome camera. In effect he has turned it into a Leica Monochrom, but one with a 4-megapixel sensor instead of a 40-megapixel sensor. It is in fact nowhere near a Leica Monochrom, but it does take pretty good pictures. And Father Pitt paid about $8 for it instead of $8,000, so he believes his money was well spent.
Three different carved capitals at the entrance to St. Boniface Church on East Street.
An isolated survivor of the once-populous East Street Valley, this splendid church (designed by A. F. Link and completed in 1926) was spared by a slight rerouting of the Parkway North. Since the latest reorganization in the Catholic Diocese of Pittsburgh, this is now part of Christ Our Savior parish.
The picture above is fairly large if you click on it; it’s a composite of eight separate photographs.
One of old Pa Pitt’s many regrets is that he did not buy this old church on Rhine Street in Spring Hill, merely to preserve its unique Art Nouveau façade. Behind the façade was a pedestrian frame building clinging to the side of the hill, but the façade itself was not quite like anything else in Pittsburgh. This picture was taken in 1999; the church was demolished some time after 2016, when the abandoned hulk still appears in Google Street View. The stained glass probably still exists somewhere; it was removed before the building was demolished.
