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The Master of the Jumbled Bricks
Father Pitt has not yet identified the architect of these four apartment buildings in Mount Lebanon, but the style is so distinctive that we can confidently attribute them to the same hand. Adopting the practice of art scholars who name unidentified artists after the most distinctive features of their style, we call this architect the Master of the Jumbled Bricks. Perhaps some reader knows the architect’s real name.
The buildings all share patches of bricks and brick pieces laid in a jumble, as you see above. They also all use irregular (sometimes multicolored) roof slates and ornamental half-timbering, and even the bricks laid in regular courses are given as irregular a texture as possible. They are all in the exaggerated historicist manner that old Pa Pitt calls the Fairy-Tale Style.
We’ll begin with this building on Central Square. The bricks here have had some repair, but we can still see the effort and patient professional work that went into making the building look as though it was built by gnomes.
Not far away, on the other side of uptown Mount Lebanon, another of these apartment buildings stands on Florida Avenue:
Here the jumbling of the bricks is more patterned.
The polychrome irregular roof slates add to the fairy-tale atmosphere.
The next one, on Bower Hill Road, has fewer jumbles; they are placed up at the top among the irregular roof slates as a kind of billboard for the style.
Though the shades are more muted, these roof slates are also different colors.
Finally, the Stratford on Beverly Road.
So far, Father Pitt has found these four apartment buildings in Mount Lebanon designed by this unusually whimsical artist. There are probably others lurking in plain sight. Does anyone know the architect’s real name?
Father Pitt will add that he has some reason for suspecting that it might have been Theodore Eichholz, who was known to work in the fairy-tale style, and who designed an extraordinary whimsy in Highland Park, the Bendet house on Cordova Road, which uses jumbled bricks across the entire front. But this is only a vague suspicion. Anyone with better information is earnestly desired to inform us.
(Update: More and more evidence is pointing to Charles Geisler, resident of Beechview and architect of numerous apartment buildings in Mount Lebanon and Dormont, as well as Squirrel Hill, as the Master of the Jumbled Bricks. This is what the television reporters call a developing story, and old Pa Pitt will update this article with any more certain conclusions.)
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Two Renaissance Palaces in Schenley Farms
Originally this house on Tennyson Avenue was a Renaissance palace with a little whiff of Prairie Style. It was built in 1910 for Martin G. Bauer, Jr. The architect, Maximilian Nirdlinger, drew it in the common shape of the Pittsburgh Renaissance palace, with exaggerated brackets that look westward to Chicago but also recall the Italianate houses of a generation earlier.
At some point, the owners decided what they really wanted was a Southern plantation mansion. They amputated the porch and left a house-wide scar filled in with stucco that only draws attention to it, and then added a two-storey round portico, spending a lot of money to leave the house looking socked in the face.
We can imagine what the house looked like with the porch intact. But we don’t have to work very hard at it, because across the street is a very similar house, built one year earlier and designed by the same architect:
Here we see how the houses were both intended to look. The front porch emphasizes the breadth of the house, making it look long and low in spite of its three floors.
Now we can turn back to the Bauer house and see what it was trying to be. In old Pa Pitt’s opinion, it is always best to stick to the original style of a house in making additions or alterations. Any attempt to make the house into something it is not draws attention to the fact that it is not that thing.
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Row of Houses on North Avenue
These are what old Pa Pitt calls Baltimore-style rowhouses: that is, rowhouses where the whole row is built as one subdivided building right against the sidewalk (as opposed to the typical Pittsburgh terrace, where the houses are set back with tiny front yards). Since North Avenue is the neighborhood boundary on city planning maps, these fall into the “Central Northside” for planning purposes; but socially they formed part of the wealthy section of Allegheny that includes Allegheny West across the street.
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Shirley and Neighbor, Mount Lebanon
Here we have two apartment buildings on more or less the same plan, but differing in their details.
The Shirley has two immediately striking features. First, the broad round arch at the entrance:
Second, the two-storey window (interrupted by inscription) in the stairwell, which also terminates with an arch.
Its neighbor (originally named Harmon: see below) uses contrasts in color to create a striking appearance.
The entrance is more classical, and instead of one tall window, the stairwell has two arched windows filled with colorful art glass.
Addendum: A 1934 plat map shows that the building on the left was originally called “Harmon.”
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Second Empire Storefronts in Sharpsburg
These two Second Empire storefronts could use a bit of paint, but the buildings, which probably date from the 1880s, have kept most of their decorative detail. The bricks show that the ground-floor fronts of both sides have been rebuilt, but the one at right probably looks very close to the way it looked when the building was new, and it could be a good model for restoring the one at left.
