An attractively modernistic little apartment building—Father Pitt would guess it dates from about 1940—in good shape, with not too many alterations. Small details like decorative brickwork elevate it from mundane to elegant. And note the corner windows, the badge of mid-century modernity.
This impressive portal, wide enough to drive a large delivery wagon through, leads to the central courtyard.
Aside from what you see in the pictures, old Pa Pitt knows nothing about this building on Brownsville Road. It was probably put up in the 1920s, and it has the look of a car dealer. But it really looks like nothing else in Pittsburgh, and the current owners seem to appreciate its uniqueness. The most striking feature, of course, is that organ-pipe crest, which reminds Father Pitt of the purely ornamental “pipe tops” that used to be fashionable on Victorian reed organs.
This house in what Father Pitt sometimes calls center-hall foursquare style was probably built in the 1890s, and its flared rooflines (even on the dormers) and angular brickwork must have looked very modern.
When the thriving borough of Wilkinsburg needed a magnificent new high school to accommodate its mushrooming population, the borough government decided to get the best building possible by inviting an all-star cast of architects to a competition. From the Pittsburg Press, July 8, 1908, p. 17:
Plans for a high school building to cost over $200,000 will be received by the school board of Wilkinsburg. The architects in the competition are Thomas H. Scott, M. G. Wilkins Company, DeBobula & Hazeltine, Milligan & Miller, S. E. Schrieber and E. J. Carlise. M. F. Henning is chairman of the building committee. The competing architects will be given about a month to submit plans.
The winner was Thomas H. Scott, whose name was among the few correctly spelled in the article. He beat some big names, including Wilkinsburg’s own Milligan & Miller, E. J. Carlisle (who already had many schools to his credit), the W. G. Wilkins Company (specialists in large industrial buildings and warehouses, including the one that is now the Andy Warhol Museum), the wildly eccentric and self-aggrandizing genius Titus de Bobula (with an otherwise unknown partner), and probably Frederick Scheibler, if we are correct in guessing that “F. G. Scheibler” was misheard over the telephone as “S. E. Schrieber.” Scott, of course, was a big name himself, and the borough could have had no reason to regret its choice.
The school, which is an interconnected complex of buildings that also included the junior high school, is no longer in use as a school: Wilkinsburg students go to Westinghouse in Pittsburgh from the seventh grade on. But the building is well maintained.
This annex to the Demmler Brothers warehouse was put up at some time in the 1920s. In every way it is different from its neighbor, but the two have to make do with one address between them—100 Ross Street.
The main structure is reinforced concrete, with brick filling in the walls.
While looking at old plat maps for information about some of the buildings he had photographed in Allentown, Father Pitt noticed a commercial bakery in the narrow back streets. In the satellite view, it was still there, so naturally old Pa Pitt had to see it the next time he was in Allentown. It is now inhabited by a real-estate company and a maker of hand-crafted candles.
Wilkinsburg’s own Milligan & Miller designed this rambling Gothic church, which is still in use by its original congregation, now South Avenue United Methodist. “One of the most important additions to the structural beauty of the place,” said a 1907 Pittsburg Press feature on Wilkinsburg,1 “will be the new South Avenue Methodist Episcopal Church, which is to replace the old burned down last February. It is to cost $125,000 and will be one of the finest church buildings in the community. The construction is under the charge of Architects Milligan & Miller, who designed the plans.”
Impressive stone lanterns flank the front steps.
An arcaded porch after the manner of a medieval cloister runs along the side.
Father Pitt is not sure whether these three buildings were originally built as apartments or as single houses, but he is almost positive they were built as rental properties. Old maps tell a clear story: at some point a little before 1910, T. Herriott, who owned a house to the right of these buildings (where the Mark Twain Apartments are now), bought his neighbor’s large lot, demolished the frame house on it, and had these three buildings put up, which he continued to own at least through 1923. They obviously had porches, since the scars where the porch roofs were removed are covered with vertical clapboards.
The Flemish-bond brickwork is arranged with the headers in a different color, so that it looks surprisingly like Wikipedia’s color-coded diagram of Flemish bond:
