Father Pitt took his new old Kodak superzoom to the South Side Cemetery to try it out. These pictures of St. Basil’s Church are not cropped; the lens has a very long range, although there are more recent superzoom cameras with even longer ranges. Herman J. Lang was the architect of the church.
These two buildings probably date from the 1880s. Though they were identical, they seem always to have been under separate ownership. At Pittsburgh Historic Maps, they first appear on the 1890 layer as belonging to Elizabeth Fisher (the building on the left) and Mary A. Curtis. The ground floors have been altered a bit, but the upper floors retain much of their original detail.
The Wilkinsburg borough building, which also houses the library, was designed by Theodore Eichholz in 1938, at the height of the mania for Colonial American architecture spurred by the restoration of Williamsburg. It opened on the first day of 1940.1 In these past two years it has been getting some restoration, including replacement of those tall columns, which are made of wood. The old ones had rotted; these new ones, carefully duplicating the originals, are supposedly treated to prevent rot—although if you only have to replace your wooden columns once every eighty-five years, you’re not doing too badly.
An attractively modernistic little apartment building—Father Pitt would guess it dates from about 1940—in good shape, with not too many alterations. Small details like decorative brickwork elevate it from mundane to elegant. And note the corner windows, the badge of mid-century modernity.
This impressive portal, wide enough to drive a large delivery wagon through, leads to the central courtyard.
Aside from what you see in the pictures, old Pa Pitt knows nothing about this building on Brownsville Road. It was probably put up in the 1920s, and it has the look of a car dealer. But it really looks like nothing else in Pittsburgh, and the current owners seem to appreciate its uniqueness. The most striking feature, of course, is that organ-pipe crest, which reminds Father Pitt of the purely ornamental “pipe tops” that used to be fashionable on Victorian reed organs.
This house in what Father Pitt sometimes calls center-hall foursquare style was probably built in the 1890s, and its flared rooflines (even on the dormers) and angular brickwork must have looked very modern.
When the thriving borough of Wilkinsburg needed a magnificent new high school to accommodate its mushrooming population, the borough government decided to get the best building possible by inviting an all-star cast of architects to a competition. From the Pittsburg Press, July 8, 1908, p. 17:
Plans for a high school building to cost over $200,000 will be received by the school board of Wilkinsburg. The architects in the competition are Thomas H. Scott, M. G. Wilkins Company, DeBobula & Hazeltine, Milligan & Miller, S. E. Schrieber and E. J. Carlise. M. F. Henning is chairman of the building committee. The competing architects will be given about a month to submit plans.
The winner was Thomas H. Scott, whose name was among the few correctly spelled in the article. He beat some big names, including Wilkinsburg’s own Milligan & Miller, E. J. Carlisle (who already had many schools to his credit), the W. G. Wilkins Company (specialists in large industrial buildings and warehouses, including the one that is now the Andy Warhol Museum), the wildly eccentric and self-aggrandizing genius Titus de Bobula (with an otherwise unknown partner), and probably Frederick Scheibler, if we are correct in guessing that “F. G. Scheibler” was misheard over the telephone as “S. E. Schrieber.” Scott, of course, was a big name himself, and the borough could have had no reason to regret its choice.
The school, which is an interconnected complex of buildings that also included the junior high school, is no longer in use as a school: Wilkinsburg students go to Westinghouse in Pittsburgh from the seventh grade on. But the building is well maintained.
This annex to the Demmler Brothers warehouse was put up at some time in the 1920s. In every way it is different from its neighbor, but the two have to make do with one address between them—100 Ross Street.
The main structure is reinforced concrete, with brick filling in the walls.
