The Shadyside half of Bayard Street is lined with fine houses in a variety of styles. We ambled down one block on a sunny November day, taking pictures of the patterns of light and shadow on the sunny side of the street.
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Rowhouses on Pierce Street, Shadyside
A reader named Tom Slack writes to ask about Pierce Street. “There is a street in Shadyside I’ve always been fascinated with—the block of row houses on Pierce Street—I wondered if you knew anything about the history.”
Old Pa Pitt is always happy to hear from readers, and he was ready to send this one to his article about Pierce Street, with apologies for not knowing any more than is in the article. But he could not find his article on Pierce Street. He distinctly remembered having been to Pierce Street just to photograph those houses, and the pictures turned up when he searched the vast Father Pitt archive. But here it is more than two years after those pictures were taken, and still no article!
Well, we can take care of that right now. Father Pitt regrets to say that he does not know much about these houses, but here is what he does know.
Pierce Street—formerly Parker Street—is a tiny street, two blocks long, that branches off the end of College Street. The rowhouses in the 5800 block are on listed by the Pittsburgh History and Landmarks Foundation as a historic landmark, and the PHLF tells us that they were built in 1891–1892. Old maps tell us they were owned by A. W. Mellon. This teaches us the valuable lesson that every little investment helps if you want to become the richest family in the world.
From the Philadelphia Real Estate Record and Builders’ Guide, March 18, 1891: “At Baum Grove, near Roup station, Allegheny Co, about fifty dwellings will be erected by A. W. Mellon, of Pittsburg.” Roup Station was just at the west end of Parker Street. A few of the houses on the southeast side of the street have disappeared, replaced by a parking lot. But the block-long row on the northwest side is still intact.
The houses look tiny from the front, and by any standard they are small houses. Like many of these Pittsburgh terraces, though, they are deeper than you might think. Moreover, they make clever use of the space they do have, as we see in this view of the alley behind one of the rows, where projecting oriels add a few more square feet to the upper floors while still leaving room for rear exits and trash cans.
There is a little mystery about the street name. The street was called Parker Street before the houses were built, and after as well, until the great street-name rationalization after Pittsburgh absorbed the city of Allegheny, when duplicate street names were eliminated. (Renamed streets were usually given a name that began with the same letter, as happened here.) But when the houses were built, a street sign was built into the corner house identifying the street as “College Place.” Father Pitt does not know whether the street was ever renamed, or whether Mr. Mellon expected to be able to wangle a renaming for his new little development and was disappointed. The commercial building at the corner of Ellsworth Avenue and College Street was built at the same time, also on A. W. Mellon property, and it bears an identical stone block identifying College Street as “College Ave.”
Kodak EasyShare Z981. One response
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A Stroll on Mill Street in Coraopolis
Kodak Pony 135 with Kentmere Pan 100 film (monobath developed). The main business streets of Coraopolis are Fifth Avenue, Fourth Avenue, and Mill Street, a very narrow street that crosses the other two. (There is also a Main Street in Coraopolis, but, in Pittsburghish fashion, it is not the main street.) Let’s take a stroll down Mill Street together. We’ll take two cameras with us, one digital and the other loaded with black-and-white film.
Fujifilm FinePix HS10. We’ll start at the Coraopolis Savings and Trust Company building, a splendid bank designed by Press C. Dowler, who gave us a number of grand classical banks. Right across Fifth Avenue is…
…another grand classical bank, the Ohio Valley Trust Company. This one is still in use as a bank.
This plain but dignified doorway leads to the upstairs offices, which were a prestigious address for local businessmen. The architect W. E. Laughner had his office here.
Across the street is a substantial commercial block with a corner entrance.
Now we come to a building with tangled layers of history, but enough remains to show us the style of the original.
This bricked-in arch has a terra-cotta head for a keystone. Note that the original building was faced with Roman brick—the long, narrow bricks you see outside the arch—and not just Roman, but yellow Kittanning Roman brick.
This building next door used similar Kittanning Roman brick. The storefront has been altered, but long enough ago that it has an inset entrance to keep the door from hitting pedestrians in the face.
At the intersection with Fourth Avenue we meet the old Hotel Helm,1 with its distinctive shingled turret. It probably bore a cap when it was built.
From here Mill Street leads past the train station and the Fingeret building, both of which we’ve seen before. At Second Avenue—as far as we’ll go for now—we come to…
…the Hotel Belvedere, which was probably a cheaper place to stay than the Hotel Helm. It still preserves its shingled gable, though the rest has been sheathed in three colors of fake siding.
- Some of our information comes from 1924 Sanborn Fire Insurance maps at the Library of Congress. ↩︎
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Three Queen Anne Houses on Mellon Street, Highland Park
Three identical houses with all the signature quirks of the Queen Anne style: turrets, odd angles, curved surfaces, oriels, shingles, and every other effect that can be applied to a city house to make it more picturesque.
Canon PowerShot SX150 IS; Kodak EasyShare Z1285. -
Castle Stanton, East Liberty
Even though it has lost some decorative details over the years, Castle Stanton still drops jaws of passers-by who find themselves in unfamiliar territory here on the border of East Liberty and Highland Park. It looks like a 1920s Hollywood set: we expect Douglas Fairbanks dressed as Robin Hood to leap from an upstairs window and land on his feet after a series of spectacular acrobatics.
This advertisement from the Pittsburgh Press, September 21, 1930, shows us some of the pointy bits that have since been removed.
This Hollywood front hides an unexpected secret, which will be revealed if we walk around to the side of the building.
Now we see the outlines of an older Queen Anne mansion, converted to an apartment house by the addition of a Hollywood-fantasy front facing Stanton Avenue.
Kodak EasyShare Z1285; Canon PowerShot SX150 IS; Fujifilm FinePix HS10. One response
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Unity Presbyterian Church, Green Tree
Originally the Wallace Memorial Presbyterian Church. In 2013, Dormont Presbyterian Church closed, and its congregation merged with this one; the two congregations together took the appropriate name Unity.
The current church building was put up in 1952 in the fashionable New England Colonial style; it’s a good example of that type.
The smaller Gothic church replaced by the 1952 church is still standing next to it, now in use as a music school.
Kodak EasyShare Z981; Kodak EasyShare Z1285; Samsung Galaxy A15 5G. -
Shingly Victorian in Coraopolis
This frame house across from the train station is a feast of Victorian woodwork, lovingly picked out in a tasteful polychrome paint scheme.
Fujifilm FinePix HS10. -
Hillman House, Shadyside
Here is another architectural mystery solved by recognizing a Second Empire mansion under a radical exterior alteration. We saw such a house made into an apartment building in Highland Park; here, the transformation has been managed with much more elegance. “Pittsburgh House Histories” on Facebook explains that this was originally the home of James Rees, a builder of riverboats and steam-powered industrial engines, built in the fashionable Second Empire style with a central tower much like the one at Baywood. In 1919, the house was bought by John H. Hillman, Jr., and by that time the Second Empire style was already a mortal embarrassment. Mr. Hillman hired the architect Edward P. Mellon, who prospered through his connections to rich Mellon relatives, to remodel the house. Mellon’s taste was staidly classical, but within that taste he could manage some very attractive effects. He amputated the top of the tower and refaced the house with stone, adding Renaissance trimmings. The result was a house that looked almost new and quite up to date for 1919.
Kodak EasyShare Z981; Samsung Galaxy A15 5G.
