It might look better with a little paint, but this commercial building preserves some interesting details that might have disappeared if its owners had been more prosperous
This small apartment building on Overlook Drive in Mount Lebanon is the Maywood.
If you’ve spent any time walking around in the Great State of Mount Lebanon (as Peter Leo used to call it), you might recognize it. But you might not have seen it here. Perhaps you saw it over there:
This is the Meadowbrook on Meadowcroft Avenue.
Or maybe you saw…
The Wil-O-Be on Academy Avenue. Or…
This one on McCully Street was called El Ronson, which is old Pa Pitt’s new favorite name for an apartment building.
Or perhaps you saw…
It seems that this one on Beverly Road had only its address for a name. The lintels are slightly different, and the roof is flat.
And then there’s…
The Harmon, on the left. The Shirley, next to it, is the same basic design, but its variation of the detail strikes us as almost daring after all the others we’ve seen.
We have not exhausted the incarnations of this apartment building, but this should be enough to start your collection. Now you can go out into the streets of Mount Lebanon and keep an eye open, and eventually you may be able to collect the complete set.
This building was put up between 1903 and 1910, and that is all old Pa Pitt knows about it. The extra-tall third floor looks like a lodge meeting hall, but it does not appear on maps as a lodge. The ground floor was a bank for many years. The building is going through a thorough renovation now, including new windows all around, fortunately the right size for the window openings.
Pearl Street is not quite perpendicular to Liberty Avenue, so this building has the common Pittsburgh problem of an obtuse angle to solve. You might not notice the solution unless you look closely.
Most Pittsburghers probably think of Green Tree as the quintessential postwar dormitory suburb. The borough does have a longer history, however, and one small area near the intersection of Greentree Road and Potomac Avenue was built up with unusually fine houses in the 1920s and 1930s. Greenridge Lane is part of that little enclave.
The Highland Park Residential Historic District, which is coextensive with the neighborhood as defined by the city, preserves more good examples of Queen Anne houses than perhaps any other neighborhood, although Shadyside would come in a close second. Here is an especially splendid Queen Anne mansion on Stanton Avenue. (Addendum: This was the home of architect William Smith Fraser, which he designed and built for himself in 1891.1)
This house gives us two common Queen Anne elements that were missing from the mansion above: a turret and curved surfaces in the gable.
Here is a whole row of Queen Anne houses bulging with stubby turrets. They lean toward the Rundbogenstil end of the spectrum, which Father Pitt mentions because he misses no chance to say the word “Rundbogenstil.”
This mansion on Stanton Avenue has been converted to apartments, but its basic outlines remain.
This last one might be better classified as “Stick style,” a closely related style that preceded but overlapped the Queen Anne style. Stick-style houses have more of an emphasis on woodwork, especially boards overlaid on the siding for contrasting trim, as we see here, and less of an emphasis on curves and complexities of form.
For about a century and a third, this church was one of the main centers of life in Bloomfield. Now that all the Catholic churches in Bloomfield are closed, incredible as it may seem in our most Italian neighborhood, an Italian Catholic who lives in Bloomfield cannot walk to Mass without making a serious expedition of it.
The church was built in 1886; the Pittsburgh History & Landmarks foundation attributes it to Adolf or Adolphus Druiding, who also designed Ss. Peter and Paul in Larimer/East Liberty. However, an expert in the works of E. G. W. Dietrich (see the comment below) was kind enough to correct that attribution. The church was designed by the partnership of Bartberger & Dietrich, as we learn both from an article at the laying of the cornerstone and an illustration of the church in the Builder and Wood-Worker for June, 1889, where it is attributed to Bartberger alone. Charles M. Bartberger and E. G. W. Dietrich were partners for about three years, from 1883 to 1886, before Dietrich moved to New York, which he seems to have done while this church was under construction. Father Pitt has updated his attribution based on this evidence, with many thanks to our correspondent.
It was rainy and dim, so don’t expect too much of these pictures. But old Pa Pitt happened to be in Squirrel Hill just before dark with half an hour to waste, so he took a walk in the rain in Murdoch Farms, one of the richest parts of Squirrel Hill, and did what he could with the camera.
In domestic architecture, Paul Scheuneman was a skillful exponent of what old Pa Pitt calls the Fairy-Tale Style: designs that emphasize a fantastically romantic vision of the past rather than historically accurate architecture.
The Arkansas Soft Pine Mansion was a demonstration home sponsored by the Pittsburgh Press and the Arkansas Soft Pine Bureau. The use of Arkansas soft pine for interior paneling, was, of course, a prominent feature of the house.
Across the street is another demonstration house designed by Scheuneman:
“The American Home” opened for inspection in 1935. It was sponsored by the Pittsburgh Sun-Telegraph and General Electric, and of course General Electric appliances were installed wherever electric appliances could be demonstrated.
