Yesterday Father Pitt got a preview of the show, which is up to the usual standard of whimsy and spectacle.
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Phalaenopsis Hybrids in Phipps Conservatory
These orchids are identified only as “Phalaenopsis Group,” which probably means that somewhere along the line the identifying tags were lost.
Camera: Konica Minolta DiMAGE Z3.
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St. Augustine Church, Lawrenceville
John T. Comes (sometimes spelled Comès) designed a splendid Romanesque church for this congregation. It was built, however, on an improbably narrow street in the most crowded section of Lower Lawrenceville, so it is impossible to see the front as Comes designed it—unless we appeal to technology, merging fifteen separate photographs to produce one overall picture. In spite of the distortion caused by taking the pictures from a low position and altering the perspective, this imperfect picture comes very close to presenting the front of the church as the architect drew it.
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Lower Fifth Avenue
Camera: Kodak EasyShare Z1485 IS.
In the distance, the Tower at PNC Plaza looms over the next block.
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East Liberty Presbyterian Church
Franklin Toker suggests that, per square foot, this is the most expensive church ever built in America. It was built with Mellon money, so it is sometimes called the Mellon Fire Escape by locals who see it as an atonement for the sins inevitable on the way to becoming the richest family in America; but the congregation prefers the nickname “Cathedral of Hope.” The architect was Ralph Adams Cram, who could easily be called America’s greatest Gothic architect, and the Mellons gave him free rein and an unlimited budget. The result was Cram’s ultimate fantasy Gothic cathedral, whose massive central tower dominates the skyline of the neighborhood. To the left, in the distance, we see the Highland Building.
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Fidelity Building
If you love architecture, Fourth Avenue gives you a more varied aesthetic experience per block than any other street in the city. Here we have the Richardsonian Romanesque style as it applies to a proto-skyscraper: the Fidelity Building, designed by James T. Steen. It opened in 1889, when Richardson’s courthouse on Grant Street was brand new. Its seven floors are close to the limit for pre-steel-cage architecture. Only a year after this building opened, construction began on the Conestoga Building on Smithfield Street, the first steel-cage building in Pittsburgh.
The photograph is huge, by the way: at full size it’s 8.88 megabytes, so don’t click on it on a metered connection. Once again, old Pa Pitt has put it together from multiple photographs, which was the only way to get the whole front of the building from across the street.
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Third Presbyterian Church
“Mrs. Thaw’s Chocolate Church,” as it was called when it was put up, this splendid building was designed by Theophilus P. Chandler, Jr., and opened in 1903. Mary Thaw, the widow of Henry Thaw, paid for most of it, and doubtless specified the architect; Chandler had also designed the Thaws’ mansion, which (alas) is long gone. Chandler was also the architect of First Presbyterian downtown and the titanic Duncan mausoleum and column in the Union Dale Cemetery.
The picture of the front above is put together from eight different photographs, which is the only way old Pa Pitt could get the whole building from this angle.
Camera: Konica Minolta DiMAGE Z3.
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Gateway Subway Station
The Gateway station is a feast of strange and slightly unsettling angles. If you like eating angles.
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Four Gateway Center
A 1960 skyscraper by the prolific Harrison & Abramovitz (who also gave us the U. S. Steel Tower, the Westinghouse Building, and the Alcoa Building). Father Pitt thinks it looks better as an architect’s rendering than in person. He has therefore made his photograph (merged from three separate photographs) look as much like an architect’s rendering as possible.
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Wide-Angle Views of St. Paul’s
Camera: Canon PowerShot S45.
An update: When Father Pitt first posted this article, the pictures were distorted. That was because old Pa Pitt had not figured out how to choose the proper projection in the Hugin panorama software. What a difference it makes!
By stitching together multiple photographs, we get these impossibly wide-angled views of St. Paul’s Cathedral in Oakland. Since the street in front is busy, we also get some ghost figures on the sidewalk and ghost vehicles driving past.
Camera: Kodak EasyShare Z1485 IS.
