Like many other streets that appear on the maps of hilly neighborhoods, Milo Street is entirely stairs. Whenever you see a street sign that seems to be pointing off the edge of a cliff, a stairway like this is usually the explanation.
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Baywood Street, East Liberty
Baywood Street is a typical street of upper-middle-class foursquares in East Liberty, mostly well preserved. Several have been turned into duplexes, but without much damage to the outlines of the house, as in the example below—where you should pay particular attention to the exceptionally fine round oriel on the second floor (and ignore the slightly mutilated dormer). The houses on the northeast side of the 5500 block are all the same dimensions and the same basic design, but with the fronts varied enough to make a pleasing diversity; they seem to have been built all at once at some time between 1903 and 1910, all designed with the same pencil.
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The Shingle Style in Thornburg
Thornburg is a small borough in the Chartiers valley where we can find what is probably the best group of Shingle-style houses in the Pittsburgh area. There is some good evidence that most of them were designed by Edward M. Butz, an architect whose most famous work is the Western Penitentiary. The Shingle style is rare in Pittsburgh, and though the houses are in a wide variety of forms, they share certain quirks—the second floor overhanging the first, the use of masonry for the first floor and shingles above, the exaggerated eaves—that suggest the hand of one architect in the different designs.
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Haller Baking Company, Emsworth
Built in about 1933, the Haller Baking Company was designed in an up-to-the-minute Art Deco style by Paul Scheuneman. You can see a picture of the building as it originally appeared at the Avonworth Historical Society. “Oven to Home” was the company’s slogan: it delivered bread, cakes, and other baked goods straight to your house. In the 1950s the building was turned into a furniture store, with glassy additions in front that were later bricked in when it became an office.
Father Pitt does not know the origin of this stylish compass rose. It does not look new, but it is not in the photographs of the bakery or the furniture store that replaced it.
Canon PowerShot SX150 IS; Kodak EasyShare Z1285; Fujifilm FinePix HS10. There’s not much to see in the rear of the building, but old Pa Pitt climbed the hill to document it anyway, just for the sake of completeness.
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Monongahela Incline
The Monongahela Incline on a rainy day. The incline opened in 1870, but the ornate lower station was built in 1904; it was designed by MacClure & Spahr.
Fujifilm FinePix HS10; Kodak EasyShare Z1285. -
House with Storefront, Mount Oliver
Canon PowerShot SX150 IS. Old maps seem to show that this house was built in the 1880s. The storefront is probably a later addition put on when Brownsville Road became the main shopping street of Mount Oliver. It has been very neatly refurbished for its current tenant, a gourmet cheese shop called “The Cheese Queen.” But before its windows were replaced a few years ago, the upper floors had the kind of three-over-one windows that were popular in the 1920s, just when the commercial strip on Brownsville Road was rapidly developing. Those two observations probably date the time this typical 1800s Pittsburgh frame house was converted to a store with apartment above.
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St. Anne’s Church, Castle Shannon
Edward J. Schulte was a master of the modern in ecclesiastical architecture. Wherever he went, all over the United States, he left churches that were uncompromisingly modern in their details, but also uncompromisingly traditional in their adaptation to Christian worship. St. Anne’s, which was finished in 1962, is a fine example of his work.
A date stone on the grounds. The details are modern, but the form of the church is perfectly adapted to the ancient Christian liturgy. Too many modern architects expected the liturgy to adapt to the building, but Mr. Schulte obviously knew Christian tradition.
We might point to the baptistery as an illustration of what we mean.
It’s a strikingly modern building, bang up to date for the Kennedy administration. But in its form and position it reminds us of…
…the Baptistery of Neon in Ravenna, seen here in a photograph from A History of Architecture in Italy by Charles A. Cummings (Boston: Houghton, Mifflin and Company, 1901). Built in the late 300s or early 400s, it was originally an extension of a large basilica, just like this baptistery. The one in Ravenna is one of the oldest Christian buildings still standing; Mr. Schulte reached right back to Roman imperial days to find his inspiration.
The most striking feature of the church is a detached bell tower more than a hundred feet high.
The tower was donated by the United Steelworkers of America in honor of Philip Murray, the union’s first president. St. Anne’s was his home parish, and he is buried in St. Anne’s Cemetery.
A relief of St. Anne and St. Mary is accompanied by a quotation from Psalm 44 in the Vulgate numbering (Psalm 45 in the numbering used in Protestant and newer Catholic Bibles).
The (liturgical) west front of the church1 is a balaced composition in geometry and symbolism.
Some roof work was going on when old Pa Pitt visited. (Update: A parishioner informs us that the work was in the basement, including an elevator, which is doubtless why we saw workers on the roof.)
The entrance to the convent.
Kodak EasyShare Z1285; Canon PowerShot SX150 IS. - In traditional churches, the altar end is always referred to as “east,” even when it is not in the east by the compass. The end opposite the altar, where the main entrance is traditionally placed, is thus the west, and if—as in this case—the compass says the west front faces northeast, then the compass is entitled to its opinion. ↩︎
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Rodef Shalom’s Downtown Temple
From The Builder, January, 1906. This was the home of the Rodef Shalom congregation for a very short time. It was downtown on Eighth Street, a narrow one-block alley where its site today is a parking lot. In those days, however, Eighth Street was crowded with buildings and institutions, including the Reformed Presbyterian Church, the Christian Home for Working Girls, and the North Public School. Having outgrown their previous building, the Rodef Shalom congregation hired Charles Bickel, probably the most prolific architect Pittsburgh ever had, to design a magnificent temple that told the city its Jewish residents were proud to be part of the social fabric.
Building the new temple required tearing down the old one, but the people of the Second Presbyterian Church around the corner (not the Reformed Presbyterians next door) opened their doors to their Jewish neighbors, and for a year the two congregations shared the Second Presbyterian building, one worshiping on Saturday and the other on Sunday. A news story at the time tells us that, among the Rodef Shalom congregation, “there were many expressions of good feeling over this neighborly act on the part of the Presbyterian neighbors” when the agreement was announced.
The new temple opened in 1901. But the congregation was growing so quickly that, by 1904, it was already too small. Rodef Shalom had to find new quarters, with more land to spread out.
Rodef Shalom today worships in one of the most admired synagogue buildings in America, the magnificent temple on Fifth Avenue designed by Henry Hornbostel.
When we look at the two buildings, designed less than a decade apart, it’s striking how different they are in style. Bickel’s design looks old-fashioned; Hornbostel’s looks forward to the future, and it has stood the test of more than a century’s radical changes in taste.
But a comparison of the two buildings also reveals how much they have in common. Almost all the same design elements are in both buildings (with the prominent exception of the turbaned towers on the Bickel building); it almost looks as though the congregation had told Hornbostel, “We want the same thing we have downtown, but bigger.” (Though it’s not visible in either picture, another feature both buildings share is a large central dome.)
The Bickel building had several decades of life after Rodef Shalom moved out. The congregation sold it to their good friends at the Second Presbyterian Church, who moved into the relatively new building, and were thus able to sell their valuable corner location at Penn and Seventh, where Katz Plaza is today. For many years, the Second Presbyterians and the Reformed Presbyterians coexisted side by side on Eighth Street. The old Bickel building was still there in 1957, according to aerial photos; by 1967 it was replaced by parking lot, which is what has been there ever since.
