No matter how trendy the neighborhood gets, the alleys in the South Side never seem to change: they’re still impossibly narrow and filled with tiny houses in a riot of textures. Above: Larkins Way. Below: Carey Way.
Camera: Konica-Minolta DiMAGE Z3.
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The Encore on 7th
It’s likely that real architects look down on the firm of HKS, Inc., as a bunch of hacks who specialize in expensive projects for people with unenlightened taste. Unenlightened? Well, that’s old Pa Pitt in a nutshell! The Encore on 7th, externally, is very much to his taste. Since the architectural firm is known for monster projects like 311 South Wacker, the tallest building in the world whose name is its street address, this one was probably assigned to an unpaid intern. But it is a fine addition to the skyline: modern without losing the context of its location, and suitable for its location without losing its distinctiveness. The apartments inside are very expensive, but they have swell views.
Camera: Konica-Minolta DiMAGE Z3.
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Skyline from the North Shore
Mount Washington is the favorite skyline viewing post, but the views from across the Allegheny are impressive in their own way. These pictures were taken just as the sun was setting.
Camera: Canon PowerShot S45. The panorama below is a composite of five photographs.
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625 Stanwix Tower
This is an early work of Tasso Katselas, whose public buildings litter our landscape. Every generation seems to produce a favorite court architect, the darling of the Allegheny County nobility, and Tasso Katselas was that architect until his retirement about ten years ago.
This particular building, built in 1966 as Allegheny Towers, is on many short lists of the ugliest buildings downtown, and Father Pitt tends to agree with that assessment. It is a parking garage halfway up; then, on top of that, there is a stack of miscellaneous apartments that look as though someone piled them there temporarily, intending to slide them into a finished building later. There is no rhythm to the apartment section, not even a jazzy syncopation; the windows are random noise. Compare it to the one arm of the cool and elegant Two Gateway Center behind it and to the left, or the textured glass wall of PPG Place behind that, and its lack of harmony will be immediately apparent.
But Father Pitt would not have you dismiss Tasso Katselas on the basis of this one building, which is probably very comfortable for the residents. He has given us buildings Father Pitt loathes with a passion, and buildings Father Pitt loves with an immeasurable love. His Pittsburgh International Airport terminal is peerless: the best airport terminal Father Pitt has ever seen. It minimizes the distances between the farthest gates; it controls security easily (and remember that it was built at a time when security was not nearly so much of an obsession as it is now); and it is the only airport terminal Father Pitt knows where every word of the pages and announcements is clearly audible. How many times have you been in another airport and found yourself thinking, “I hope Mrnmkh Pthhrmrmpt recognizes his name, because I certainly don’t”? That never happens at Pitt, and it took some serious architectural thinking to make those acoustics happen.
And that is the thing that probably made Tasso Katselas’ career: his buildings may be beautiful or ugly, but they are almost always practical. They work very well for their intended purposes, because the architect has clearly taken accommodating those intended purposes as his first duty, rather than as a luxury that one might be able to afford after one has indulged one’s pet design obsessions.
Camera: Konica-Minolta DiMAGE Z3.
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Old Rugged Cross
The Tortorelli family monument in Calvary Cemetery is a huge rustic stone cross. This afternoon storm clouds were approaching behind it, and Father Pitt had to take pictures. Then he almost, but not quite, outran the rain.
Camera: Canon PowerShot S45.
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The Andy Warhol Museum
Pittsburghers who remember the days before we had the largest museum in the world dedicated to a single artist will remember this as the Volkwein’s building, which housed one of the largest music stores in North America. (Volkwein’s moved to the western suburbs, where the tradition of carrying more music than anyone else continues.) But it was built as a warehouse for the Frick & Lindsay Company, a purveyor of “industrial supplies.” If warehouses were commonly as splendid as this, there would be regularly scheduled tours of the warehouse district.
No one knows who designed the original building, but in a Post-Gazette article from 1993 (when the building was under restoration), Walter Kidney suggests the William G. Wilkins Co. (Update: We have confirmed that the William G. Wilkins company were the architects.1 Specifically, the building seems to have been designed by Joseph F. Kuntz, who worked for Wilkins.) The details were originally in terra cotta, but the cornice had been entirely removed and other details were damaged. During the restoration, the cornice and some of the other decorations were reconstructed in glass-reinforced concrete from photographs, records, and imagination.
The Frick of Frick & Lindsay was William Frick, a distant relative of the famous robber baron Henry Clay Frick.
Camera: Konica-Minolta DiMAGE Z3. The picture of the whole building below is a composite from six photographs.
- Source: The Construction Record, January 13, 1912: “Architect William G. Wilkins Co., 200 Ninth street, have plans nearly completed for a six-story brick, terra cotta, steel and concrete warehouse to be constructed on Reliance street and Rose alley, Northside, for the Frick & Lindsay Company. Cost $90,000.” January 27, 1912: “Architects William G. Wilkins Company, 200 Ninth street, are taking bids on the foundations for a warehouse building, 103×110 feet, six stories and basement, to be built on Reliance and Sandusky streets, Northside, for the Frick & Lindsay Company, 109 Wood street. The building will be of brick and probably terra cotta, steel and reinforced concrete. Plans for the superstructure will be ready about February 1.” Rose Alley is now Silver Street; General Robinson Street was formerly Robinson Street; it must have been called “Reliance” very briefly when duplicate street names were eliminated in Pittsburgh and the new North Side, but the name does not show up in 1910 or 1923. ↩︎
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St. Joseph’s Church, Manchester
Originally a German Catholic church. The building has long been abandoned by its former Catholic congregation (which merged with St. Peter’s), and now bears a sign for Deliverance Center Original Church of God. It could use some work, but the basic structure looks sound.
Old Pa Pitt took this composite picture back in April and then forgot about it. Here it is now. It’s quite large, so don’t click on the picture if you’re on a metered connection.
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Artistic Clouds
We have had some very artistic clouds today. This is the view from Spring Hill.
Camera: Olympus E-20n.
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Holy Assumption of St. Mary Orthodox Church, South Side
This building has a curious history, only part of which is revealed by the capsule history on the congregation’s Web site:
“In 1917, SS. Peter and Paul Russian Orthodox Church was established in this building. In the early 1930’s due to economic realities, the faithful of SS. Peter and Paul lost their building, and were forced to move. In January of 1943, the present Church structure and parish home were regained by the faithful of SS. Peter and Paul Russian Orthodox Church and in keeping with tradition, the Church was renamed in honor of the Theotokos.”
This paragraph leaves out the origin of the building, which (according to the two date stones) was put in its present form in 1886; the date 1862 is either the date of the foundation of the former congregation or the date when the church was originally built, with a large expansion in 1886. The architecture is clearly American Protestant. “Economic realities” almost certainly means “running out of money.” But “in keeping with tradition” is not well explained: it suggests a Russian tradition that dictates that, when you buy a building from a Protestant church that’s moving out, and then lose it to an economic depression, and then win it back again in a poker game or something, you ditch the saints you came in with and rename it for St. Mary. An Orthodox reader may be able to explain the tradition better to Father Pitt.
At any rate, the church has been Holy Assumption for more than seventy years now, and it is one of the few really successful congregations on the South Side Flats—where others are losing members, this one seems to be growing and thriving.
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The Tower at PNC Plaza
“Earth’s greenest skyscraper” is getting closer and closer to completion. Here we see it in its current state.
Camera: Canon PowerShot S45.
