
The back side of the People’s Savings Bank building is merely functional, except for this curious stairwell, whose bronze cap seems to have flown in from another and much more fantastical world.
The back side of the People’s Savings Bank building is merely functional, except for this curious stairwell, whose bronze cap seems to have flown in from another and much more fantastical world.
This oddly domestic-looking storefront is made for a high-class tenant, and has found the perfect match in Heinz Healey’s haberdashery. The building was designed by Alden & Harlow, whose usual good taste is apparent.
This rehabilitated pair of bridges gets its name from the fact that the downstream span was used to transport hot metal across the river between the two sections of the giant J&L steel plant. The upstream span (which technically used to be the Monongahela Connecting Railroad Bridge) is now open to automobile traffic; the downstream span is reserved for bicycles.
Although official records spell this “Hot Metal Bridge,” it is always pronounced “Hotmetal Bridge,” with the accent on the first syllable.
This is classicism walking the knife edge between Art Deco on the one side and modernism on the other. The architect was George H. Schwan, a Pittsburgher whose only other major commission in town that old Pa Pitt knows about is the Twentieth Century Club in Oakland. [Update: The Twentieth Century Club is usually attributed to Benno Janssen. Schwan may also have designed the Natatorium Building in Oakland, or the renovations that made it into a movie theater.] Schwan did not starve, however: he was a much-employed designer of attractive smaller houses, and his most famous commission was designing practically all the original buildings in the model Akron suburb of Goodyear Heights.
Addendum: Father Pitt knows of more works by Schwan than he did when he wrote this article. See the Great Big List of Buildings and Architects for old Pa Pitt’s latest research.
This old sign is still fairly clear on the back of a peculiarly triangular building on Liberty Avenue. You can see it from the Diamond; it’s just off Forbes Avenue over the little alley called Delray Street.
Tunnel Park is a strip of green on the river side of the SouthSide Works development. The name comes from the fact that there is a railroad tunnel beneath the green. And here is the entrance to the tunnel, which is not very picturesque but is something of a curiosity.
Back in the 1800s the Monongahela House was Pittsburgh’s first-class hotel. Charles Dickens stayed here, which was not enough to give him a good impression of the city. The hotel went through several incarnations; this is how it looked in 1888.
Source: Allegheny County Centennial.
This Fourth Avenue tower is smaller than some of the others, but just as splendid as its most ostentatious neighbors. It was designed by Alden and Harlow in their usual exquisite taste.
Old Pa Pitt does not know what church this is meant to represent, but he suspects a Presbyterian church: the preacher is clearly the main attraction, but the Gothic details suggest the commercial wealth that Pittsburgh Presbyterians have traditionally been known for. This painting hangs on the wall of Blythe paintings at the Carnegie; the curators date it 1860-1862.
The First Baptist Church in Oakland was designed by Bertram Goodhue, a disciple of Ralph Adams Cram, the greatest figure in American Gothic architecture.