A large classical firehouse with its front on Filbert Street and a long, well-designed side on Elmer Street.
The Filbert Street front.
Arms of the city of Pittsburgh, on the left side of the front.
Arms of the Commonwealth of Pennsylvania, on the right side of the front.
The Elmer Street side looks like an Italian Renaissance palace.
Most pedestrians on Walnut Street pass this building without noticing it; at best they may glance at the rounded corners, but otherwise it strikes them as just another modernist building. It is in fact one of the very earliest outbreaks of modernism in Pittsburgh: it was designed by Frederick Scheibler and opened in 1908. It must have been startlingly modern indeed surrounded by Edwardian Shadyside.
This utilitarian garage has a faint scent of Art Deco: instead of a flat front, we get pleasingly arranged vertical lines.
This building began its life as the First Methodist Protestant Church; it later passed into the hands of the Seventh Day Adventists, and now belongs to a nondenominational Korean congregation. It is a work of Frederick Osterling in his typically florid Romanesque style. Obviously the spire has had a bit of bad luck, but the rest of the exterior is in pretty good shape.
This modest but tasteful house seems to be the parsonage for the church, and Father Pitt can easily imagine that it was designed by Osterling as well. He would be happy to have his speculation corrected or confirmed. Update: Father Pitt’s speculation was wrong. The architect of the parish house, built in 1914 or so, was H. E. Kennedy.1
If you had bought a newspaper in Pittsburgh in about 1850, you probably would have bought it from a child like these. David Gilmour Blythe, Pittsburgh’s master caricaturist, produced a small masterpiece of a character study here. It hangs on a whole wall of David Gilmour Blythe paintings in the Carnegie Museum of Art; the curators date it to some time from 1846 to 1852.
Twin lion heads guard the entrances to the Lionhead, an apartment building in Shadyside.
The cornice and dormers are fine specimens of Victorian woodwork.
This modest apartment building (it looks as though the ground floor used to be a store) is enlivened by interesting brickwork.
Like many streams in the city, Saw Mill Run is full of debris. But it is very interesting debris. If you enlarge the picture, you can see bricks of multiple types, bits of glass, broken plates, and other evidence of the long-vanished village of Shalerville. For the urban archaeologist, Seldom Seen is a rich treasury.
It is impossible to get a picture of the front of this church without ugly and intrusive utility cables, and old Pa Pitt is not quite obsessive enough to edit out the cables.
This is a Ruthenian church. Back in 1900, the congregation split from the other St. John the Baptist Byzantine congregation a few blocks away at 7th and Carson Streets so as not to have to put up with those Ukrainians. You will search a map of Europe in vain for the nation of Ruthenia, but the Ruthenians or Rusyns in America have an ethnic pride perhaps all the stronger for never having had a nation of their own. The present building was dedicated in 1958, and the modernist-influenced Byzantine style bears a strong family resemblance to the style of St. George Antiochian Orthodox Cathedral in Oakland.
