William P. Ginther, an Akron-based architect who also gave us St. Mary’s in McKees Rocks, designed this magnificent church, but much of the labor was done by the Polish railroad workers who formed the congregation. The design is inspired by St. Peter’s in Rome; this church isn’t quite on that scale, but it certainly dominates the neighborhood, and it would make a fine cathedral.
Sciurus niger in Bird Park, Mount Lebanon. This is the largest of our tree squirrels, easily confused with the almost-as-big grey squirrel (Sciurus calolinensis), but usually distinguishable by a certain amount of brownish coloring, which the grey squirrel seldom has.
Here is another example of the odd whimsies that sometimes pop up as small apartment buildings. This is the storybook-cottage style that was popular for single-family houses in the 1920s and 1930s built up into a storybook castle. But the most remarkable thing about it is the deliberately random decorative brickwork. It reminds old Pa Pitt of something Frank Gehry would do.
This extreme randomness would probably not hold up the whole wall, so it is used only in the sort-of-half-timbered section above the entrance. But the rest of the brickwork was made as cartoonishly irregular as possible.
Some bricklayer had a lot of fun—or a lot of under-his-breath cursing—with this assignment. We note, however, that the balcony railings have been repaired. Perhaps they were originally wood, or perhaps the irregular brickwork proved less than sound.
The Clark Building was built in 1928 at the same time as the Stanley Theater (now the Benedum Center) around the corner, and designed by the same architects—the Hoffman-Henon Company, which specialized in theaters but could also turn out a pretty good skyscraper in a sort of modernized Beaux-Arts classical style. The upper floors are apartments, but the lower floors are still, as they have been for many years, the center of the jewelry district downtown.
This neat little church was probably the first church to be built in the new neighborhood of Beechwood, which was later renamed Beechview when it was taken into the city of Pittsburgh. It has been well refurbished for a Spanish-speaking congregation. Some of the original stained glass is gone, and the tower is bricked in, but on the whole it looks much the way it looked more than a century ago. We also note the aggressive slopes for which Beechview is notorious.
Beechview itself was laid out in 1905, so this would have been one of the earliest buildings.
Beechview’s streets changed their names when the neighborhood entered the city, because Pittsburgh didn’t need yet another set of numbered streets. Sixth Avenue is now Methyl Street; Pennsylvania Avenue is now Hampshire Avenue.
From an old postcard (the back bears a 1906 postmark), this picture gives us a good idea of the scale of freight traffic on the Monongahela. The first Point Bridge was built in 1877 and replaced in 1927; the second one was closed in 1959 but stayed up for eleven more years.
A particularly fine Queen Anne style house on Morewood Avenue. The big roof reminds old Pa Pitt of turn-of-the-twentieth-century German architecture.
Charles Bickel was quite at home in the Romanesque style, and he prospered in a city that had gone mad for Romanesque after Richardson’s County Courthouse appeared. The Ewart Building was put up in 1892. Old Pa Pitt was attracted to this morning view by the pattern of reflections on Liberty Avenue.
Two fine commercial buildings on Liberty Avenue. The large windows on the second, third, and fourth floors of No. 903 suggest workshops, which generally had the largest possible windows to take advantage of natural light.
Every once in a while old Pa Pitt slips in a picture taken with a cheap phone. This is one of them; he mentions it to point out that, within their limitations (this one demands bright light for acceptably sharp pictures), even cheap phone cameras can produce good pictures. The camera you have with you is always better than the one in the camera bag at home.
Colonial Place, off Ellsworth Avenue, is one of those little one-street enclaves in Shadyside that shut out the world as much as they can to create a tiny insular community. The architect here was George S. Orth, who also designed a couple of prominent millionaires’ mansions in Allegheny West. The landscape design by E. H. Bachman was just as important, and the sycamore trees he specified have matured into elegant sculptures as attractive when the leaves are off as they are in full leaf.
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