For a century, this section of Penn Avenue was the furniture district, and Spear and Company had one of the largest stores. The building was designed by Charles Bickel, who festooned it with terra cotta in blue and white.
The picture above comes from 1915. The original is at Historic Pittsburgh; Father Pitt has brightened the shadows a little to bring out more detail.
Edward J. Hergenroeder, who worked with Benno Janssen on the school for Annunciation Parish, was the architect of this convent, built in 1928. The style is a sort of modernized Gothic, though the crenellations in the peak at the end of the building look back to the middle 1800s. The building is now home to Angels’ Place, so it is well kept.
Cola Street was originally called Coal Street, but at some point there was a transposition of letters. It clings to the edge of Mount Washington, and it was originally built up with the cheapest grade of frame houses. Some of those houses have been adapted to expensive eyries for Pittsburghers who want the most dramatic view of the city; they have been joined by newer houses also specialized for sucking in as much view as possible. Below, a local architect’s own home, perhaps his childhood dream house that he finally prospered enough to build for himself.
Built in 1888 to house the priests from the adjacent St. Mary’s Church, this is now the Priory Hotel.
Exchange Way is an ancient alley that has served the backs of buildings on Liberty Avenue and Penn Avenue for two centuries or more. It has never been completely continuous, and a two-block interruption caused the name of the stub of the alley that branched off Cecil Way to be forgotten, so that it was renamed Charette Way when the Pittsburgh Architectural Club opened a clubhouse with its entrance on the alley. But originally that alley was part of Exchange Way, too.
A good alley is a symphony of textures, and some of Father Pitt’s favorite pictures are black-and-white photographs of alleys.
The last time we looked at this church, it was undergoing some renovation. Here it is with a fresh coat of paint. It was perhaps a shame to cover up the original blond bricks, but in a transitional neighborhood like Uptown, paint is certainly the easiest way to keep a building looking sharp and fresh. The painting was done with care to leave the stone trim unpainted, and the church looks very good.
This church was also known as Second German Lutheran, and to English-speaking neighbors it was known as the Dutch Lutheran Church. It now belongs to an Anglican ministry called Shepherd’s Heart.
A commercial building and apartment block in the eclectic style popular in the 1920s: it carries a whiff of Spanish Mission, but also a bit of Renaissance. Liberal use of terra cotta enlivens the façade.
The Monongahela Incline opened in 1870, and it has run since then with a few interruptions for maintenance. There has never been a serious injury on it, as far as old Pa Pitt knows, making it just about the safest form of public transit ever devised.
The engineer who designed it was John Endres. He was assisted by his daughter Caroline and by Samuel Diescher, who would later go on to design the Duquesne Incline and most of the other inclines around here. Diescher would also go on to marry Caroline Endres, making them certainly one of the first husband-and-wife engineer pairs in the country. They had three sons and three daughters; the sons all became engineers.
This upper station has gone through various renovations over the years, but it seems to be the original. The lower station was replaced in 1904 with a much grander building designed by MacClure & Spahr.
Old Pa Pitt recommends wandering in back alleys as a hobby. You never know what you might find, from antique sculpture to ghost signs. Dimling’s hasn’t had a candy shop here for more than fifty years, but this sign still sits on the back of the building the shop once occupied, facing Exchange Way at the intersection with Tito Way.
When it was prospering, Dimling’s Liberty Avenue shop occupied two buildings and covered them with tiles that made the entire Liberty Avenue façade a giant billboard. The picture above is a detail of a much larger photograph taken by the Pittsburgh City Photographer in 1965: it may still be encumbered by copyright (although probably not, unless the copyright was renewed), but if the city of Pittsburgh wants a fee for using it Father Pitt can probably afford a quarter or so.
By the 1970s, the buildings were still a billboard for Dimling’s, but a photo from 1973 shows that the tenants were Arthur Treacher’s, an adult theater, and a massage parlor.
The wheel of history kept turning, however, and the restoration of Liberty Avenue brought these buildings back to respectable use. Peeling away the tiles revealed the old Victorian fronts, which have been lovingly restored and now make up part of the extraordinary Victorian streetscape of Liberty Avenue in the Cultural District.
Lamont Button, who made a specialty of high-class houses for the higher classes, designed this club for university women, which opened in about 1932. “It is planned to provide rooms on the second and third floors for college girls working in the city,” the Press reported. “The first floor will have a large social hall and tearoom. In the basement will be a main dining room and several smaller dining rooms. An auditorium seating 470 will be included in the plans.”
Today the building belongs to Pitt, but on the outside it has hardly changed from Button’s elegant design—a simplified, modernized Georgian that could hardly look out of place anywhere, and fits perfectly in the wildly diverse Craig Street streetscape.
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