This fashionably Romanesque house was probably built in the 1890s for a W. Snively. It has been converted to apartments, but the original outlines of the house are still evident. If, by the way, you are embarrassed by the soot stains on the stone of your house, old Pa Pitt suggests overcoming your embarrassment and embracing the history that soot represents. The alternative of painting your stone grey is not a success.
“Every year, on the 10th day of April, the fire-bells ring out the number 1-8-4-5, in memory of the baptism of fire that comes, sooner or later, to nearly every city. Like all great disasters of this kind, the origin was trifling. While the loyal but noisy fire-cracker decorates the historical shield of the fire department of Portland, Maine, and the combination of a kicking cow and a coal-oil lamp that of Chicago, the homely but useful wash-boiler stands as a reminder of the greatest disaster that has ever fallen on Pittsburgh. Early in the morning of the 10th of April, I845, an extra hot fire under a wash-boiler, in a poor tenement at the corner of Ferry street and Second street, now second avenue, started a fire which, for lack of water, was soon beyond the control of the fire department. A high wind carried the burning fire-brands over the different portions of the city, and in a few hours one-third of the geographical extent of the city and two-thirds of its value, was only a mass of charred cinders. The estimated loss was from six to eight million dollars, while twelve thousand people, most of whom had been in good circumstances, were rendered homeless. Fortunately but two persons lost their lives, one being Mr. Samuel Kingston, and the other Mrs. Malone. This was a severe blow to the business interests of the city, but with remarkable pluck the work of rebuilding was begun at once. The most liberal settlements were made by those having goods here on commission, generous aid was extended to the sufferers, and the city rallied rapidly from what otherwise would have been its death knell.”
—The Illustrated Guide and Handbook of Pittsburgh and Allegheny (1887), p. 20.
This is the most important remaining work of Louis Bellinger, who for his entire career was the only Black architect in Western Pennsylvania. It was built as the Pythian Temple, an exceptionally grand lodge house. It opened in 1928; but after less than ten years it was sold and became a movie theater, the New Granada, with the ground floor redesigned in streamlined Art Deco by Marks & Kann. Both as a lodge and as a theater it was one of the great jazz venues of all time, and the roster of stars who performed here is long and dazzling—Cab Calloway, Louis Armstrong, Duke Ellington, and our own Lena Horne, just to name four.
After half a century of vacancy and multiple schemes for restoration, the New Granada is finally getting the love it deserves. It will have performance spaces and offices, and the whole block has been redeveloped with colorful new apartments and restored older buildings.
Except for the ground floor, the building still stands very much as Bellinger designed it. Shields and helmets in terra cotta remind us of the building’s Knights of Pythias origins.
In seventeen and a half years of writing about Pittsburgh, few things have made old Pa Pitt happier than seeing the progress on this building. It will stand for years as a tribute to a neglected architect, to the history of the Hill, and to the great legacy of jazz in Pittsburgh.
Perrysville Avenue started as a plank road, with tollgates, but in the second half of the nineteenth century it began to fill up as the spine of a pleasant suburban neighborhood of Allegheny. Today Perry Hilltop is a strange mixture of appalling decay and beautiful restoration: it has never quite got off the ground as a trendy neighborhood, but some of the houses have been beautifully preserved. The splendid Dutch Colonial mansion above, for example, is in very good shape. Note the original windows. It was probably built around the turn of the twentieth century.
A Victorian frame house that preserves some of its original details, including the trim around the windows. It appears on an 1882 plat map, so it probably dates from the 1870s.
This center-hall manse has a third-floor dormer that, fortunately, no one has ever had the money to modernize.
This house was probably built at some time around the First World War.
Garrison Place, formerly Garrison Alley, was part of the original Woods plan of downtown Pittsburgh. It was named for the adjacent Fort Fayette. Today it is a typical Pittsburgh alley—which is to say it is a very narrow passage but not called an alley, because Pittsburgh officially has no alleys. Above, looking southward across Penn Avenue toward Liberty Avenue. Below, looking northward, with Allegheny General Hospital in the distance.
Built in the 1950s as the Duquesne University Hall of Law and Finance, this building was featured in the Alcoa advertisement “How Many of These Pittsburgh Skyscrapers Can You Name?” as an example of the new ultra-modern sort of aluminum-clad skyscraper.
This short block in the North Charles Street Valley has suffered some attrition of houses, but the remaining houses have been restored beautifully and give us a good idea of how the street looked. They were built in about 1887. The Pittsburgh History and Landmarks Foundation attributes the design to William A. Stone, who would be governor of Pennsylvania ten years later; but Father Pitt suspects Stone may have been the developer rather than the architect.
The houses on the northwest side of the street are tiny but create an impression of prosperity.
The houses on the southeast side of the street are slightly less tiny; they are a little wider, and their mansard roofs give them a full third floor.
The Plaza lingered on to the end of the twentieth century as a movie house, but it finally went the way of most neighborhood cinemas. Fortunately the beautiful and distinctive façade has been preserved.
The green-tiled roof is the first thing you notice. The little round-topped dormers give the building the look of a European palace.
Terra-cotta suppliers got rich on movie houses like this one.
The marquee has been kept, which is lucky, because it was an important part of the look of the building.
This photograph appeared in the fifth exhibition of the Pittsburgh Architectural Club in 1910 (and was reproduced in the catalogue). The house must have seemed quite modern and up to date; it would not have seemed old-fashioned thirty years later. Old Pa Pitt has not studied Mr. Phillips’ career yet, but he was obviously successful enough to build a fine house for himself in a fashionable part of town.
It is cheering to report that the house is still in excellent condition today. A front porch has been added, but with good taste, so that we would hardly guess it had not been part of the original composition.
Father Pitt believes this is some species of Sarcoscypha, but further than that he is unwilling to go (and apparently even mycologists have trouble unless you give them a microscope), and he may be wrong about the genus anyway. But it’s a remarkably bright red. It was growing on a stick in the leaf litter near the Trillium Trail in Fox Chapel.
