
Blooming today in Shadyside.

Well, this one didn’t quite work.
Old Pa Pitt has mentioned how he enjoys seeing the experiments builders try with small apartment buildings. Here we see a builder who seems to have absorbed some of the ideas of modernism and added some Craftsman-style details: the three-over-one windows, the decorative brickwork, the wood-framed entrance. But the details seem applied at random, and a modernist architect would have been more regular in the geometry. Note the lack of rhythm or alignment in the windows, which throws off the whole façade. The second and third floors have windows in groups of 2, 1, 3, 2; the first floor has groups of 2, 1, 2, 1, and they do not line up at all with the windows above them. The entrance does not line up vertically or horizontally with anything else in the building; its awkward corner placement seems to leave some of the trim hanging off the edge.
Someone will probably come along and tell Father Pitt that this building is by a famous modernist architect, and old Pa Pitt will only say that the architect was having a bad day.
This little building sits next to the old Western Theological Seminary. Old Pa Pitt has not been able to discover its history with the limited research he was willing to put into the question, so he would be delighted to be enlightened in the comments. It looks as though it might have been an addition to the seminary, done in a sort of late Gothic with Art Deco overtones.
You have probably never heard anyone say this before, but Father Pitt is fascinated by small apartment buildings. Larger apartment blocks are often designed by famous architects, and they may be masterpieces of their kind. But small apartment buildings sometimes preserve the adventurous whimsies of a builder who was not technically an architect but could draw a blueprint all by himself.
Here is a good example. The third floor of this little apartment building in Mount Lebanon is typical of the Spanish Mission style that was very popular in the near South Hills in the first half of the twentieth century. But below that the details are Georgian. It would be hard to imagine a stranger clash than those two styles—and yet they work well together. Pedestrians walking by never say, “Now there is an outrageously mixed metaphor of a building.” A big-deal architect would probably never do it, but it works.
Addendum: The architect was probably Charles Geisler, who filled Mount Lebanon and Dormont with small apartment buildings.
This tasteful Gothic church, finished in 1928, anchors the south end of the Uptown Mount Lebanon business district. The architect was Thomas Pringle, who also gave us the Salvation Army Building downtown.
A typical courtyard apartment building in a corner of Mount Lebanon that is full of small to medium-sized apartment buildings. This one is in a simple but attractive Jacobean style, where a few effective details carry all the thematic weight.
A Silver Line car crosses First Avenue on its way toward Steel Plaza. In the background, One Oxford Centre, the Grant Building, and the Jones & Laughlin Headquarters Building.
This small skyscraper was not originally built as a skyscraper. The first part of it was put up in 1907; in 1917 five more storeys were added (very skillfully, we might add), bringing the building just about high enough to qualify as a small skyscraper in old Pa Pitt’s admittedly fluid definition of the term. The architects both times were MacClure & Spahr, who also gave us the Union National Bank Building and the Diamond Building, among others. Since 1952, this building has belonged to the city, which calls it the John P. Robin Civic Building.
The distinctive undulating platform roofs of the First Avenue subway station, seen from across First Avenue.