
The Hall of Sculpture in the Carnegie (as seen by the ultra-wide auxiliary camera on old Pa Pitt’s phone, so don’t expect too much if you enlarge the picture), designed in imitation of the interior of the Parthenon.
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The Hall of Sculpture in the Carnegie (as seen by the ultra-wide auxiliary camera on old Pa Pitt’s phone, so don’t expect too much if you enlarge the picture), designed in imitation of the interior of the Parthenon.

For most of its history, this pleasing façade with its ornamental brickwork was blocked off by taller additions in front. Now that those have been removed, we can enjoy the front of the building the way it was meant to be seen. Indovina Associates designed the renovation and adaptation for an Asian supermarket.



Without moving an inch, these old houses have been on three different streets. They were built, probably just after the Civil War (since they appear on an 1872 plat map), on Chestnut Street. After the conquest of Allegheny by Pittsburgh, duplicate street names were eliminated—most often by changing the ones on the North Side, but in this case the Chestnut Street in what had been Allegheny was richer and more influential, so this became Hooper Street, defying the usual rule that the new name should begin with the same letter as the old. When the Lower Hill was deleted by “urban renewal,” Hooper and Washington Streets were merged to make Chatham Square. Through it all, these fairly modest houses have remained intact, and they seem secure now that Uptown is becoming more desirable again.


We’ve seen some of these houses on Longuevue Drive before; others are making their first appearance here. Father Pitt’s ambition is to document every house in the Mount Lebanon Historic District. If he ever succeeds in balancing that ambition with all his other ambitions, he may get it done. Meanwhile, here are a few beautiful houses to enjoy, and we need no more excuse than that for these pictures.

To avoid weighing down the front page for a week and a half, we’ll put the rest of the pictures below the metaphorical fold.

A pair of rowhouses whose elaborate Italianate details have been meticulously restored. And since, as longtime readers know, old Pa Pitt collects breezeways…


Now the Smithfield United Church of Christ, and it has had several other names. This lacy spire has an honored place in history as the first structural use of aluminum. (The aluminum point on the Washington Monument was just a lump of aluminum set on top, not a structure.) The architect Henry Hornbostel’s other experiment in this building, the use of decorative concrete panels on the exterior walls, has not held up as well; for years the rest of the building has been shrouded in netting to prevent bits of concrete from raining on pedestrians. Below is a picture Father Pitt took of the tower in 2000, before the shrouds went up.


Now called EQT Plaza, this is one of old Pa Pitt’s favorite Postmodernist buildings from the 1980s “Renaissance II” boom. The architect was William Pederson of Kohn Pedersen Fox Associates.
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