Built in 1911, this church served the Methodists until 1995. It is now home to the Lamb of God Church. The architects were Vrydaugh & Wolfe.
Here, by the way, is an example of how one develops an instinct for church architecture. Father Pitt did not know what congregation originally built this church, and how would one easily find out without some research? (One might have done the research, but it is always better to spare oneself trouble if one can.) The answer is by guess. “It looks Methodist,” Father Pitt thought to himself; and, with that clue, finding the information was easy.
Stanley Roush, king of public works in the 1920s and 1930s, did the architectural parts of this elegant bridge, which opened in 1933. It is almost shocking that, in a city with more bridges than any other city on earth, this is the only cable suspension bridge. (The Three Sisters are held up by steel rods rather than cables.)
We don’t pay enough attention to the railings on our bridges and viaducts. They were opportunities for architects to try out new ideas in decorative geometry, and a talented architect like Stanley Roush could produce designs worth pausing to admire.
The Bureau of Standards wanted to know what caused structural failures in bridges and how to prevent them. So…
THE BUREAU OF STANDARDS 5,000-TON TESTING MACHINE AT PITTSBURGH
A high-carbon steel column under test. Restrained lattice. Buckling of diagonals has begun
This picture comes from the front page of the Engineering News for July 13, 1916. The article explains some of the discoveries made possible by this huge apparatus, and would probably be very interesting to students of engineering.
The South Vocational High School was designed by Marion M. Steen, who gave us many impressive schools around here. His father, James T. Steen, was a distinguished architect as well; Marion followed in his father’s classicist footsteps, but gradually adopted more and more Moderne mannerisms until he became one of our leading Art Deco architects. This school was a kind of vocational annex for the South High School across the street. Construction began in 1939, and it opened in 1940, just in time to be adapted to round-the-clock wartime training for mechanical trades.
This is Steen’s most aggressively modern design. He seems to have imagined a building that would look like a cross between school and factory.
This composite picture is huge: if you click on it, expect more than 18 megabytes of data.
Here is the Sarah Street front. As in all Steen’s other schools, the decorative details are imaginative and appropriate. These suggest a new world of technological wonder.
Now let’s walk around to the Tenth Street entrance, where we’ll find a remarkable decorative aluminum panel in the transom.
We have many public buildings with inscriptions in Latin. But is this the only school in North America with a cuneiform inscription over the entrance? Father Pitt would love to have any others pointed out to him.
Do not suppose, by the way, that old Pa Pitt is fluent in Akkadian, much as he would like to be able to read the adventures of Gilgamesh without a translation. It was, however, easy to trace the character and feed it into an image search, and although Google did not come up with the exact character at the top of the list, it took only a bit of scrolling to find the character we were looking for. Father Pitt wishes he could say he had thought of that solution to the problem himself, but, having recognized that this was a cuneiform character, he got no further until a cleverer friend suggested the way forward.
The building is in use as the Pittsburgh Online Academy (which needs a building for some reason; perhaps our school board has only a fuzzy notion of what “online” means), so for the moment it is well kept and externally in original condition.
This tidy little building has the look of an old meeting house or school, or even a little theater. Do any Elizabeth Township readers know its story? It’s on Smithfield Street in the little hamlet of Boston, just across the Boston Bridge from Versailles.
There was a date stone or plaque in the gable once, and perhaps fairly recently: it was painted around when the current coat of paint was applied.
This little memorial sits at the corner of Carson and Tenth Streets, the intersection that is more or less the gateway to the South Side proper. Most people pass by without noticing it, so old Pa Pitt decided to document it in detail.
Frank Aretz, best known for his ecclesiastical art, did the small Art Deco relief, according to a plaque installed by the city on this memorial. The architect was Stanley Roush, the king of public works in Pittsburgh in the 1920s and 1930s. Donatelli Granite, still in the memorial business, did the stonework.
The left and right steles bear the names of battlefields where Americans fought.
Many war memorials display the names of those who served, but this one sealed the names in stone for future generations to discover.
The relief has been eroding and perhaps vandalized, but the streamlined Art Deco style is still distinctive.
Built in 1914, this little church (now Emmanuel Christian Church) is a fine example of the simple Arts-and-Crafts interpretation of Tudor Gothic that was fashionable for small churches in the early 1900s. The only specifically Gothic detail is the large front window; the tower has a bit of decorative half-timbering, but the rest is unadorned and built with cheap but attractive materials.
Addendum: According to the Construction Report for August 23, 1913, the architect was Pierre Liesch. “Architect Pierre Lessch, 18 East Fourth street, Aspinwall, is taking bids on erecting a one-story brick veneer church on Davis avenue near Brighton road, Northside, for the Emanuel Baptist congregation. Cost $15,000.” It should be noted that this magazine is poorly edited and frequently misspells names.
It would be interesting to know who was the architect of this eclectic pile, and whether he was the nephew of the burgess. It might have been more attractive before the bricks and stone accents were painted the drabbest possible grey, but it was probably never a beautiful building. It has, however, grown some character with age, and old Pa Pitt is pleased that it has been fairly well preserved, except for the installation of some standard-size windows and doors in holes that are too big for them.
