This splendid little auditorium combines the Jacobean style of the main school with a hint of Art Deco. Father Pitt does not yet know who designed the addition. The original school was a design by MacClure & Spahr, and we know that Benno Janssen designed additions to more than one MacClure & Spahr building; this would certainly be in the range of Janssen’s style.
Above, from the grounds of Soldiers and Sailors Hall; below, from the steps of Bellefield Presbyterian Church.
This apartment building has a few details worth appreciating, though it appears to have lost its cornice. This building also has the biggest art store in Pittsburgh on the ground floor. You walk in the Hobart Street entrance and find yourself in a fairly big art-supplies store. Then you walk back and realize there’s another whole room that size. Then you walk back and realize there’s another whole room that size. Then you walk back and realize there’s another whole room that size. In fact the whole ground floor of this building is given over to art supplies.
This floral ornament presides over the light well.
Addendum: The building was put up in about 1924; the architect was Charles R. Geisler. Source: The American Contractor, October 27, 1923: “Apt. Bldg. (36 suites): Hobart & Wightman sts. Archt. C. R. Geisler, Ferguson bldg. Owner & Bldr. L. L. Noffah, 5843 Forbes st. Sketches.”
This house was built, probably in the 1890s, as one of a row of four similar or identical houses. Of the other three, one was converted to a duplex and two to three-unit apartment buildings: this is the only one that remains as built. The ornamental woodwork is worth observing.
It seems to old Pa Pitt that the whole history of the West End is epitomized in this building.
There was a Presbyterian church on this spot more than 150 years ago, marked “Un. Presb. Ch.” on an 1872 map. It was just around the corner from another kind of Presbyterian church (which is now a garage); even today Wikipedia lists more than 45 kinds of Presbyterians in the United States, and that is after a number of mergers and consolidations. In 1890 this is marked “A. F. Pres. Ch.,” and again in about 1903; but on a 1905 map it is marked “United Presbyterian Church,” and that is as much as Father Pitt can do to sort out the history of the congregation.
At about the time of the First World War, the church had a little burst of prosperity and added this fashionable Tudor front.
Later, the congregation fizzled out, and the building was heavily altered and taken over by Ceramiche Tile. Now Ceramiche is moving to the western suburbs, and this building is up for sale.
The result is a building that—like much of the rest of the West End—is hard to sort out from both an architectural and a historical point of view. But the stone-and-half-timber front is an attractive ornament to Main Street, and we hope the building will find a sympathetic new owner.
The two sides of this duplex, which probably dates from the 1870s or 1880s, have gone their separate ways, but the whole building is well preserved. The demolition of a badly mutilated house next door gives us a chance to appreciate some of the details on the side of the house.
This rear view shows us a very inartistic addition to the third floor of one side, which is fortunately invisible from the front.
We’ve seen this exuberantly Victorian building on Carson Street before. It is one of the few relatively unmutilated survivors of the style that was common for commercial buildings in the 1870s and 1880s, so old Pa Pitt got out a long lens to appreciate some of the details.
Originally the First United Presbyterian Church, this congregation merged with the Bellefield Presbyterian Church down the street, which sold its building (of which only the tower remains) and moved here, with the compensation that this church was renamed Bellefield Presbyterian. The building, designed by William Boyd and built in 1896, is festooned with a riot of carved Romanesque ornaments.
Each one of these cherubs has a different face and different ornamental carving surrounding it.
