The County Office Building is a curious combination of Romanesque and late Art Deco, with more than a hint of the style Father Pitt likes to call American Fascist. Below, an eagle ornament on the corner holds the Allegheny County arms in its talons. On the arms: a ship, a plough, and three sheaves of grain (though they look like mushrooms in concrete).
The County Office Building is a short walk away from the First Avenue subway station.
For ten years from 1978 to 1988, Richard Caliguiri (pronounced, in defiance of all orthography, “Cal-i-JOOR-ee”) was mayor of Pittsburgh. During that time, even though the steel industry collapsed and hundreds of thousands of jobs vanished, downtown Pittsburgh went through the most prosperous period in its history. In 1988, he died of Pennsylvania Politician’s Disease, otherwise known as amyloidosis, just before the prosperity ended, assuring his canonization as the most beloved mayor in the city’s history. This statue by the famous portraitist Robert Berks stands on the steps of the City-County Building. He’s looking over a map of his beloved Golden Triangle, a map that changed considerably during his time in office.
A perfectly Romanesque lion guards the entrance to the Allegheny County Courthouse. When H. H. Richardson designed the building, the lion was meant to be nearer street level; but shaving one storey’s worth of height off Grant Street left it high on the front wall.
In honor of the physicians who served in the First World War, Hygeia, goddess of health and proper sanitation, raises her torch in Schenley Park. Phipps Conservatory is in the background.
Hebe, Greek goddess of youth, cupbearer of Olympus, stands among the Phalaenopsis orchids in the Sunken Garden at Phipps Conservatory.
William Shakespeare hard at work on something brilliant. One of the larger-than-life Noble Quartet in front of the Carnegie in Oakland, Shakespeare represents Literature (along with Michelangelo for Art, Bach for Music, and Newton for Science). The picture was taken with a cheap toy digital camera, then turned to grayscale because the cheap digital colors were just awful.
Made entirely of glass, this art-deco mural, or sculpture, shows a “puddler,” a man who stirs the molten iron ore until it’s tasty enough to make good steel. The location should be obvious from the photograph, but note that the Puddler himself is around the corner over the Wood Street entrance.
An abstract sculpture in front of the Carnegie Museum of Art perfectly complements the mass of the Cathedral of Learning in the background. This photograph was taken a few years ago, when the Cathedral of Learning still proudly bore its coat of soot from the age of heavy industry.
A lion in Mellon Park guards a formal green.
A wrought-iron fence and gate in Mellon Park, surrounded by the rich and subtle colors of early November.
