Cedarhurst Manor is a plan where many of the houses date from the Depression era—a time, as Father Pitt has pointed out before, when there was a good bit of home construction going on, because conventional wisdom held that, if you had the money for a house, it was more economical to take advantage of low labor and materials costs and build a new one than to buy an older house. The plan is not included in the Mount Lebanon Historic District (at least not yet), but many of the houses are distinguished architecturally and well preserved.
This fairy-tale palace on Ralston Place preserves most of its charming original details. You will notice right away the most outrageously tall and pointy front gable in the tri-state area (cleverly echoed to give more of an illusion of depth), but after that pause to appreciate the original windows, seldom preserved in apartment buildings of this age, and carefully chosen to balance the other details of the building.
We have some reason to suspect that the plans came from the office of architect Charles Geisler, prolific producer of small and medium-sized apartment buildings in Dormont and Mount Lebanon, as well as Squirrel Hill and elsewhere. If old Pa Pitt finds more specific documentation, he will confirm or revise this attribution.
These splendid marquees with their Art Nouveau lettering in glass welcome us to the Princess Ann, an apartment building in the Colonial Heights plan in Mount Lebanon. Many of the external details of the building are beautifully preserved and maintained, including the art glass on the marquees and in the stairwells.
Streets had been laid out and land had been divided into lots all over Mount Lebanon, but these duplex houses on the old Schaffer estate were the first buildings to go up for blocks around. Old farmhouses were still standing nearby. At that time the street was called Schaffer Place, but it and Marion Avenue to the south were later renamed Meadowcroft Avenue as an extension of Meadowcroft Avenue across Beverly Road.
The architect who designed these buildings was not content to stamp out the same box ten times and call it a day. The designs are varied within a common theme, making an interesting streetscape that forms a community while giving residents a sense that their own homes are distinct.
This small apartment building on Overlook Drive in Mount Lebanon is the Maywood.
If you’ve spent any time walking around in the Great State of Mount Lebanon (as Peter Leo used to call it), you might recognize it. But you might not have seen it here. Perhaps you saw it over there:
This is the Meadowbrook on Meadowcroft Avenue.
Or maybe you saw…
The Wil-O-Be on Academy Avenue. Or…
This one on McCully Street was called El Ronson, which is old Pa Pitt’s new favorite name for an apartment building.
Or perhaps you saw…
It seems that this one on Beverly Road had only its address for a name. The lintels are slightly different, and the roof is flat.
And then there’s…
The Harmon, on the left. The Shirley, next to it, is the same basic design, but its variation of the detail strikes us as almost daring after all the others we’ve seen.
We have not exhausted the incarnations of this apartment building, but this should be enough to start your collection. Now you can go out into the streets of Mount Lebanon and keep an eye open, and eventually you may be able to collect the complete set.
Once again old Pa Pitt turned himself loose with a camera in Seminole Hills—this time mostly in the older and more expensive end. The variety of styles makes the neighborhood a constant delight. For this session, let’s visit Ordale Boulevard.
This is a collection specifically for those readers who like scrolling through house designs of the 1920s and 1930s. The rest can just whiz right past the “more” link and go on to something else.
Once again, old Pa Pitt took half an hour’s walk in the far end of Seminole Hills, but unlike last time he did it in broad daylight this time. Most of these pictures are on the sunny side of the street, but we hope you will forgive a few backlit pictures.
Even in the more modest part of Seminole Hills, the variety of styles is remarkable. A few postwar modern houses have grown up here, too, but the shady winding streets make harmony of what might otherwise be a dissonance of styles.
Because we have nearly fifty pictures to show, we’ll avoid weighing down the front page and boring the readers who have no interest in domestic architecture by putting the rest behind a “more” link.
The back end of Seminole Hills developed later than the section nearer Washington Road, with more modest houses, many of them built during the Depression. But even many of these modest middle-class homes are pleasing designs, doubtless by some of our more distinguished architects. These pictures were taken after sunset in dim light, so expect some grain if you enlarge them.
This house sits in a triangle where Iroquois Drive meets Allendale Place at an acute angle. It faces the street on three sides, and it was designed to be a good composition from any angle.
