Charles J. Rieger was the architect of this little church with a big tower, which was built in 1899.1 (This is one of the earliest Rieger projects we have found; he had many years of productive work ahead of him.) The congregation must have grown rapidly, because only fourteen years later it moved a block up the street to a larger church. This building was sold to a Hungarian congregation; at some point it ceased to be a church and had a garage door cut into it.
Philadelphia Real Estate Record & Builders’ Guide, March 29, 1899, p. 201: “At Homestead, Allegheny county, the vestry of St. Matthews’ Episcopal Church, at a meeting held a few days since, instructed the architect to have all plans and specifications ready by April 4th. Rev. W. J. White Frederick Howden and George Hatcher, committee, Architect Chas. Rieger, Renshaw Building, Pittsburg, Pa., is the architect, and will receive the bids.” ↩︎
Colonel James Anderson was the kind gentleman who opened his personal library to working boys on Saturday afternoons at his house in Manchester. One of those boys was Andrew Carnegie, who never forgot; and if you had mentioned Carnegie as the founder of free libraries in western Pennsylvania, Mr. Carnegie himself would have corrected you: “No, that was Colonel Anderson.”
Carnegie himself commissioned this monument to go with his library in Allegheny, because, as he said, “when fortune smiled upon me, one of my first duties was the erection of a monument to my benefactor.” For the sculptor he chose the best: Daniel Chester French, who was already famous for the Minute Man in Concord (Massachusetts), and would later contribute the colossus of Lincoln in the Lincoln memorial. The architectural parts of the monument were designed by Henry Bacon, who would later design the Lincoln Memorial itself. The monument we see today is a duplicate: the sculptures are original, but the original base was destroyed along with the rest of the center of old Allegheny when urban renewal came to Allegheny Center. The Pittsburgh History and Landmarks Foundation succeeded in raising money to rebuild the base as Bacon designed it.
The monument shows the same approach to honoring a distinguished citizen that French would later take in the Westinghouse Memorial. Instead of an impressive statue of the subject, French represents his accomplishments in bronze. Here the bust of Colonel Anderson sits on top of the monument, but the main subject is a a young blacksmith’s apprentice who has paused in his work and is sitting on his anvil, absorbed in a book. That pause from manual labor to enter the realm of literature was what Colonel Anderson made possible.
Here is the artist’s mark in the bronze: “DANIEL C. FRENCH Sc.” (for “Sculpsit”) “1903.”
A bronze plaque duplicates the original inscription. Pedantic instincts force old Pa Pitt to point out that placing the whole inscription in quotation marks was unnecessary; but if it had to be done, the quotation marks around “working boys” should have been single.
It is traditional to paint onion domes blue like the heavens, or to gild them if the congregation is feeling rich. But Homestead was known for one thing, so these domes are glimmering Homestead stainless steel.
This church was designed by Button & McLean, who also designed yesterday’s Homestead Senior High School. The Button of the pair was Lamont Button, whom we have met as a designer of high-class houses for the upper middle classes. Ground was broken in 1936, but the church got stuck at the basement level. It remained stuck until 1949, when the job was finally finished.1
This snappy-looking modernistic school was designed by Button & McLean (Lamont H. Button and Paul F. McLean), who were taking bids in November of 1938.1 It was later bought by the Steel Valley Council of Governments, an association of boroughs and cities in the Mon Valley, which has turned it into a shop where you can take your humans to have them serviced.
When old Pa Pitt took these pictures, there was a band rehearsing somewhere in the building that included a pretty good vibraphone player.
Proposals, Pittsburgh Press, November 30, 1938, p. 32. “Copies of plans, specifications and other contract documents will be on file and open to public inspection at the offices of the Architects, 119 East Montgomery Avenue, North Side, Pittsburgh, Pa.…” From many other listings we know that 119 East Montgomery Avenue—a street that no longer exists—was the office of Button & McLean. ↩︎
The reconfiguration of the Diamond or Market Square is pretty far along now. This semicircular shelter echoes the style of the new BRT stations downtown.
Smithmeyer & Pelz designed Andrew Carnegie’s first library donation—though, as the people of Braddock are proud to point out, it was the second Carnegie Library to open, since the smaller Braddock library took less time to build. The same architects had designed the Library of Congress, which turned into a quagmire from which they had a hard time extricating their careers intact. (The library part was a piece of cake; it was the Congress part that was impossible to manage.) Unlike the classical Washington library, though, this one was done in a Romanesque style, which architects seem to have instinctively hit on as more suitable for muscular industrial Pittsburgh.
After the library was damaged by a lightning strike, the Carnegie Library moved out and built a smaller branch library northward on Federal Street. This building now is the Museum Lab of the Children’s Museum.
Here is a good example of how an old factory that’s too attractive to tear down can be refurbished and expanded to make a modern office building. The Edwin L. Wiegand Co. dealt in “electrical specialties,” and it must have been fairly successful to build this large plant in 1928. The building spent some time as a self-storage facility; but a large upward expansion was added in 2020, and the building was converted to high-class offices. We note with delight that the architect went back to an old idea in factory design: a “sawtooth” roof with northward-facing windows to pull in bright even lighting without direct sun.
Seminole Terrace is not included yet in the Mount Lebanon Historic Discrict, but the older part of the plan is a museum of good domestic architecture from the 1920s and 1930s—a time when the Colonial Revival, the Fairy-Tale Style, and various other fantasies of an elegant past could coexist comfortably in a newly laid-out automobile suburb. Here are some of the houses we saw on a walk along Navahoe Drive. We’ve seen some of these houses before, but we can always see them again.
