Author: Father Pitt

  • Liberty Center

    Liberty Center

    The local firm of Burt Hill Kosar Rittelman designed the second-most-important Postmodernist development in Pittsburgh, after PPG Place. This one does not get the attention lavished on Philip Johnson’s forest of glass-Gothic pinnacles: it never gets to play a supervillain’s headquarters in the movies, and it is seldom pointed out as one of Pittsburgh’s top sights. But to old Pa Pitt’s eye it is a particularly pleasing manifestation of what was called Postmodernism at the time, but might be more accurately termed the Art Deco Revival. It consists of two skyscrapers—currently known as the Federated Hermes Tower and the Westin Convention Center Pittsburgh—linked by lower sections of building that fill in the rest of the block.

    Clock tower
    Federated Tower
    Westin Convention Center Pittsburgh
    Westin Convention Center Pittsburgh
    Westin Convention Center Pittsburgh
    Liberty Center
  • Alcoa Corporate Center, North Shore

    River side of the Alcoa Corporate Center

    The headquarters of Alcoa since it moved out of the Alcoa Building, and now also the headquarters of Alcoa’s spinoff Arconic. The river side of the building is all curves and exposed aluminum, naturally.

    Alcoa Corporate Center
    Andy Warhol Bridge with the Alcoa Corporate Center behind it
    Alcoa Corporate Center
    Curves of the Alcoa Corporate Center

    Cameras: Fujifilm FinePix HS10; Kodak EasyShare Z981.

  • United Steelworkers Building

    United Steelworkers Building
    Fujifilm FinePix HS10.

    Seen from Mount Washington. We also have some pictures from Gateway Center Park (with a little more about the building), and from the Boulevard of the Allies.

  • A Stroll on Markham Drive, Mount Lebanon

    136 Markham Drive

    Markham Drive in Mount Lebanon is not yet included in the Mount Lebanon Historic District, but it ought to be. It is a street of architecturally distinctive houses, mostly from the 1930s, that are in an extraordinarily fine state of preservation, at least externally. We have already seen one of them: the “Transition House” designed by Brandon Smith to entice conservative home-buyers to accept modern construction methods. Here is a generous album from the rest of the street.

    136
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  • Wm. O. Johnston & Co. Building

    Corner of Penn Avenue and Ninth Street
    Fujifilm FinePix HS10.

    The corner of Penn Avenue and Ninth Street. The building on the corner is the Wm. O. Johnston & Co. building, built for a printer who was one of the successors to the venerable Zadok Cramer of the Franklin Head Bookstore. We also have a composite picture of the front of the building.

  • Bridge and Stadium

  • Decorations on the Maginn Building

    Arch on the Maginn Building

    Father Pitt is fairly certain that the ornamental stonecarving on the Maginn Building was done by Achille Giammartini, Pittsburgh’s master of Romanesque whimsies. The style is Giammartini’s, and the building was designed by Charles Bickel, who is known to have brought in Giammartini for the German National Bank (now the Granite Building) around the corner, as we see in this advertisement:

    Advertisement for Achille Giammartini

    But, you say, speculation is not enough for you. You want the artist’s signature. Well, to old Pa Pitt, this looks like a signature:

    Face with mustache in the corner of the arch

    In fact, Father Pitt has formed the hypothesis that Giammartini littered the city with self-caricatures in Romanesque grotesque. Several other buildings bear carved faces similar to these two in the corners of the arch on the seventh floor of the Maginn Building.

    Grotesque face

    The rest of the ornaments are also in Giammartini’s trademark style: lush Romanesque foliage with slightly cartoonish faces peering out from the leaves.

    Capital
    Capital with face
    Fujifilm FinePix HS10.
  • Old Main, Duquesne University

    Old Main, Duquesne University
    Fujifilm FinePix HS10.

    Built in 1885 from a design by William Kauffman, this was an astonishingly lofty building when it went up—our first skyscraper college. Its position up on the bluff gave it spectacular views, at least when the smoke from the city below was not too dense, from the cupola that used to stand at the peak of the roof.

    We also have a picture of the building as it was built, along with a modern picture from the same angle.

  • St. Mary’s Church, Dutchtown

    St. Mary’s German Catholic Church

    Father John Stibiel specified this church, which was built in 1854 for his German parish, and he is usually credited as the designer of it. Some architectural historians, however, think that the architect may have been Charles F. Bartberger, the elder of the two Charles Bartbergers, who made similarly Romanesque designs for St. Paul of the Cross Monastery Church and St. Michael’s, both on the South Side Slopes.

    The vestibule in front was designed by Sidney F. Heckert and built in 1906.

    Door
    Window

    The church narrowly escaped demolition for the Parkway North. Along with the adjacent priory, it was bought by a Pittsburgh businessman who successfully turned the priory into a hotel and the church into “Pittsburgh’s Grand Hall,” a place for weddings and other events.

    Front of the church

    This composite view suffers from the inevitable distortion of the towers, but it otherwise gives us a good notion of the whole front of the church.

  • Firstside

    Firstside from Mount Washington

    A large composite picture (it’s 8,911 × 2,319 pixels if you enlarge it) of the row of buildings along Fort Pitt Boulevard in the Firstside Historic District. Before the boulevards isolated the city from the shore, these buildings used to face the Monongahela Wharf, a chaotically busy inland port where steamboats by the dozens loaded and unloaded their passengers and cargo.