
The Great White Trillium (Trillium grandiflorum) is a trinity of trinities: three petals, three sepals, and three leaves. In its pure white form it seems a perfect emblem of Easter.
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Here is another church with the sanctuary upstairs, if you look at the front. This is Pittsburgh, though, so upstairs is the ground floor in the rear.
Perhaps the best way to describe the architect Frederick Sauer is to say that he was a high-functioning mad genius. He produced some very respectable church designs—St. Stephen Proto-Martyr, St. Stanislaus Kostka, and St. Mary of the Mount, to name three. Meanwhile, he went home every evening and started pulling rocks out of his back woods and piling them up into whimsical buildings with his own hands.
When he designed a private residence, Sauer sometimes pushed the limits of current styles. Here is a big stony house built from his design in 1893. It hits some of the fashionable Romanesque notes, but that immense crowstepped Flemish gable makes a big impression on the neighbors. (The high-pitched roof and big gables also give the house a roomy third floor.)
The patchwork-quilt style of architecture has been popular in the last decade, but this is by far the most colorful implementation of it old Pa Pitt has seen. The whole block that includes the New Granada has been redeveloped, and these cheerful apartments, with ground-floor storefronts, make this section of the Hill seem lively and inviting again.
We’ve seen this house before, and all old Pa Pitt can say is here it is again, in more detail. Steel baron B. F. Jones, who had a big house next door, hired architect W. Ross Proctor to design this narrow chateau for his daughter and her husband (the house belonged to the daughter, according to plat maps). A few years later, B. F. replaced his big house with an immense mansion that dwarfed his daughter’s house.
In the rear you can see a carriage house, built a little later than the main house. The carriage house alone is bigger than most people’s houses, and it had ample living quarters for the coachman upstairs.
Cercis canadensis blooming in the arboretum in West Park on the North Side.
When we last saw this triple building, it was getting a fresh coat of paint. The new color scheme looks much better, and old Pa Pitt offers his congratulations to the people with taste at Mozart Management.
The three connected buildings were put up in 1901 as the Howard, the Delaware, and the Norfolk, and we can just barely make out the ghosts of the inscriptions above the entrances. The architect was William E. Snaman.1 The Norfolk, above, preserves the original appearance. In the other two, the balconies have been filled in to make closets, and they looked forbiddingly blank with the old paint scheme; the more artistic new scheme at least emphasizes the surviving trim.
Charles Bickel designed the May Building, and—as he often did—he made liberal use of terra cotta in the ornaments.
More pictures of the May Building.
Perhaps not quite as ritzy as they would be in another neighborhood, but for prosperous working-class Brookline this is a fine building. The stone-fronted ground floor is topped by two floors of stone-colored white Kittanning brick, making a rich impression; and clever little decorations made from what look like terra-cotta remnants brighten what might otherwise be a monotonous façade.