The double-decker Fort Pitt Bridge over the Monongahela enters downtown Pittsburgh from the Fort Pitt Tunnels, giving first-time visitors a shockingly spectacular introduction to the skyline as they arrive from the airport. The bridge itself matches the Fort Duquesne Bridge over the Allegheny, framing the Point with bright yellow arches.
Seeing downtown Pittsburgh from Point State Park, you might be forgiven for supposing that Pittsburgh had not existed before World War II. Not a single prewar building is visible; the “Renaissance” seems thorough and complete. The entire Point, once a seedy warehouse district, was redeveloped after the war, with a big chunk left open for Point State Park, and the rest covered with modernist towers.
Seeing the Granite Building in black and white (taken with a Zenit camera with a 28-mm Vivitar lens) brings out the variety of textures and ornaments. In the background is the Keenan Building.
Taken with a Zenit-B camera, which is a Soviet-era SLR, and a Vivitar 28-mm lens, which is of course not Soviet, this picture from Equitable Plaza shows Gateway Center as the perfect modernist ideal. No wonder it got so much attention.
Gateway Center is just across the street from the Gateway Center subway station.
In the late afternoon, the declining sun plays with the shining surface of Three Gateway Center. Below, this modernist fountain is one of Gateway Center’s chief attractions.
The colossal central jet wasn’t jetting, but there was plenty of spray to make rainbows at the Point Fountain yesterday.
On a spring or summer evening, a favorite Pittsburgh pastime is to ride a streetcar or drive to Station Square, and then take a boat to the baseball game. The short trip actually takes us on all three rivers. Above, the Majestic, flagship of the Gateway Clipper fleet, chugs under the Fort Pitt Bridge on its way to PNC Park; below, the little Countess and the Princess make the same trip.
This 1980s postmodernist skyscraper replaced the beloved Jenkins Arcade. The bottom floors of the tower are also a shopping arcade, and a rather pleasant one, but old-timers will tell you it’s just not the same.
Fifth Avenue Place is across a rather complicated intersection from the Gateway Center subway station.
Another aluminum company built another aluminum skyscraper that, like the Alcoa Building behind it, bears a more than passing resemblance to a stack of television sets. Here we see it from Mellon Green.
The Porter Aluminum Building (now the FHL Bank Building) is half a block up Grant Street from the Grant Street exit of the Steel Plaza subway station.
In 1931 Andrew W. Mellon had been Secretary of the Treasury for ten years. He was one of the most powerful men in the world; they used to say that three presidents had served under him. This building was his gift to his native city, a reminder of his almost imperial power, and a perfect example of the architectural style Father Pitt likes to call American Fascist.
The word “fascist” comes from fasces, an ancient Roman symbol of authority. The fasces are a bundle of twigs with an axe in the middle. And here they are, right over the entrance, making this perhaps the only literally fascist building in Pittsburgh. [Update: This is far from true; once he started to look for them, old Pa Pitt found that fasces were quite common on government buildings before the Second World War.]
The Federal Building is a block and a half north on Grant Street from the Steel Plaza subway station.
